{"title":"Award Winning Books","description":"","products":[{"product_id":"gauguin-metamorphoses-hardcover","title":"Gauguin: Metamorphoses - Hardcover","description":"\u003cp\u003e\u003cstrong\u003eTo look inside this book, click \u003cspan style=\"text-decoration: underline;\"\u003e\u003ca href=\"https:\/\/www.moma.org\/momaorg\/shared\/pdfs\/docs\/publication_pdf\/3201\/MoMA_GauguinMetamorphoses_PREVIEW.pdf?1393860240\"\u003ehere\u003c\/a\u003e\u003c\/span\u003e. \u003c\/strong\u003e\n\u003c\/p\u003e\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eWinner of the Association of American Publisher's 2015 PROSE Award for Best Art Exhibition Catalogue \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eEdited by Starr Figura. With contributions by Elizabeth Childs, Starr Figura, Hal Foster, and Erika Mosier\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eThough Paul Gauguin is best known as a pioneer of modernist painting, this book highlights a lesser-known but arguably even more innovative aspect of his work: the extraordinary prints and transfer drawings he created between 1889 and his death in 1903 and their relationship to his paintings and sculptures in wood and ceramic. Published in conjunction with a major exhibition at The Museum of Modern Art and sumptuously illustrated with some 200 works, \u003cem\u003eGauguin: Metamorphoses\u003c\/em\u003e explores the artist's experimental techniques and demonstrates how his engagement with mediums other than painting ignited his creativity. 248 pp.; 233 illus.\u003c\/div\u003e","brand":"MUSEUM OF MODERN ART 700003","offers":[{"title":"Default Title","offer_id":44169595945190,"sku":"905-905","price":60.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0623\/7962\/2630\/files\/905_a.jpg?v=1737498129"},{"product_id":"henri-matisse-the-cut-outs-hardcover","title":"Henri Matisse: The Cut-Outs - Hardcover","description":"\u003cp\u003e\u003cstrong\u003eTo look inside this book, click \u003cspan style=\"text-decoration: underline;\"\u003e\u003ca href=\"https:\/\/www.moma.org\/momaorg\/shared\/pdfs\/docs\/publication_pdf\/3204\/MoMA_MatisseCutOuts_PREVIEW.pdf?1409838981\"\u003ehere\u003c\/a\u003e\u003c\/span\u003e. \u003c\/strong\u003e\n\u003c\/p\u003e\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eWinner of the Dedalus Foundation's 2015 Exhibition Catalogue Award \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eEdited by Karl Buchberg, Nicholas Cullinan, Jodi Hauptman, and Nicholas Serota. With contributions by Karl Buchberg, Nicholas Cullinan, Samantha Friedman, Flavia Frigeri, Markus Gross, Jodi Hauptman, Stephan Lohrengel, and Nicholas Serota\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003ePublished in conjunction with the most comprehensive exhibition ever devoted to Henri Matisse's paper cut-outs, this book presents approximately 150 works in a groundbreaking reassessment of the artist's colorful and innovative final years. From the late 1940s on, Matisse (1869–1954) increasingly adopted paper and scissors as his primary medium, creating lively compositions that are striking for their chromatic harmonies and economy of means.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eRichly illustrated to show the cut-outs in all of their vibrancy and luminosity, this catalogue presents new research by curators and conservators exploring issues such as the artist's materials and methods, the relation of these works to his larger practice, and their double lives- first as contingent and mutable in the studio and ultimately made permanent by mounting and framing. It also includes photographs of the works in progress in Matisse's studios and five essays focusing on different moments in the development of this radical medium. 300 pp.; 315 illus.\u003c\/div\u003e","brand":"MUSEUM OF MODERN ART 700003","offers":[{"title":"Default Title","offer_id":44169596240102,"sku":"915-915","price":65.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0623\/7962\/2630\/files\/915_a_e5e6f526-e10d-4357-bf5a-cb1244e9dce8.jpg?v=1739215459"},{"product_id":"henri-labrouste-structure-brought-to-light-hardcover","title":"Henri Labrouste: Structure Brought to Light - Hardcover","description":"\u003cp\u003e\u003cstrong\u003eTo look inside this book, click \u003cspan style=\"text-decoration: underline;\"\u003e\u003ca href=\"https:\/\/www.moma.org\/momaorg\/shared\/pdfs\/docs\/publication_pdf\/3174\/Labrouste_PREVIEW.pdf?1360879013\"\u003ehere\u003c\/a\u003e\u003c\/span\u003e. \u003c\/strong\u003e\n\u003c\/p\u003e\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eEdited by Corinne Bélier, Barry Bergdoll, and Marc le Coeur. With contributions by Martin Bressani, Marc Grignon, Marie-Hélène de La Mure, Neil Levine, Bertrand Lemoine, Sigrid de Jong, David Van Zanten, and Gérard Uniack\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eHenri Labrouste is one of the few nineteenth-century architects who have been lionized consistently as precursors of modern architecture throughout the twentieth century and into our own time. The two magisterial glass-and-iron reading rooms Labrouste built in Paris from the 1840s through the 1860s gave form to the idea of the modern library as a great collective civic space, and his influence was immediate and long lasting on both the development of the modern library and the exploration of new paradigms of space, materials, and luminosity in places of public assembly.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003ePublished in conjunction with the first exhibition devoted to Labrouste in the United States—and the first anywhere in the world in nearly forty years—this book is the result of a four-year research project into the entirety of Labrouste's production. It presents nearly 225 works in a variety of mediums, including drawings, watercolors, vintage and modern photographs, film stills, and architectural models. Essays by a range of international architecture scholars explore Labrouste's work and legacy, offering fresh historical perspectives on the architect and his structural innovations. 272 pp.; 225 illus.\u003c\/div\u003e","brand":"MUSEUM OF MODERN ART 700003","offers":[{"title":"Default Title","offer_id":44169596469478,"sku":"839-839","price":55.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0623\/7962\/2630\/files\/839_a_3ecc7eba-a2d6-4ddd-a0ee-87658fd211b3.jpg?v=1704232571"},{"product_id":"diego-rivera-murals-for-the-museum-of-modern-art-hardcover","title":"Diego Rivera: Murals for The Museum of Modern Art - Hardcover","description":"\u003cp\u003eBy Leah Dickerman and Anna Indych-López \n\u003c\/p\u003e\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eIn 1931, Diego Rivera was the subject of The Museum of Modern Art's second monographic exhibition, which set attendance records in its five-week run. The Museum brought Rivera to New York from Mexico six weeks before the opening and provided him with a makeshift studio space in the building. There, the artist produced five \"portable murals\"—freestanding frescoes with images commemorating events in Mexican history—to be featured in the show. After the opening, Rivera added three more murals to the exhibition, taking on New York subjects through monumental images of the city during the Depression. 148 pp.; 110 illus.\u003c\/div\u003e","brand":"MUSEUM OF MODERN ART 700003","offers":[{"title":"Default Title","offer_id":44169597386982,"sku":"817-817","price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0623\/7962\/2630\/files\/817_a_70f8c4a2-93bf-4fa1-a6c1-04a4597fc6e0.jpg?v=1759865344"},{"product_id":"gabriel-orozco-hardcover","title":"Gabriel Orozco - Hardcover","description":"\u003cp\u003eEdited by Ann Temkin. With contributions by Ann Temkin, Briony Fer, Benjamin H. D. Buchloh, Paulina Pobocha, and Anne Byrd\n \n\u003c\/p\u003e\u003cdiv\u003eWith a body of work unique in its formal power and intellectual rigor, Gabriel Orozco emerged at the beginning of the 1990s as one of the most intriguing and original artists of his generation. This volume, designed in collaboration with the artist and presented on the occasion of his 2009–10 retrospective at MoMA, offers a comprehensive examination of Orozco's career from the late 1980s to the present. Critical essays provide new approaches to grounding Orozco's work in the larger landscape of contemporary art; they are complemented by a richly illustrated chronology that combines biographical information with focused discussions of selected objects. Each entry pays particular attention to Orozco's material practice and introduces the artist's own reflections on the work he has created. 256 pp.; 435 illus.\u003c\/div\u003e","brand":"MUSEUM OF MODERN ART 700003","offers":[{"title":"Default Title","offer_id":44169657286886,"sku":"762-762","price":27.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0623\/7962\/2630\/files\/762_a_e9ce90c9-e508-4a93-bfc5-43806f03960d.jpg?v=1704280110"},{"product_id":"contemporary-chinese-art-primary-documents","title":"Contemporary Chinese Art: Primary Documents","description":"\u003cp\u003eThe liveliness and creativity of avant-garde Chinese art in the post-Mao era has led to its current prominence in the world of international contemporary art. Yet until now, a systematic introduction to this important work has been unavailable in any Western language; moreover, most of the relevant primary documents have existed only in Chinese, scattered in hard-to-find publications. Contemporary Chinese Art: Primary Documents remedies this situation by presenting a collection of carefully selected texts that includes artists' manifestos, exhibition catalogue texts, seminal essays by critics, and interviews with key artists, many of them available in English translation for the first time. Arranged in user-friendly chronological order and framed by contextual explanations, these documents guide readers through the fast-moving developments in the Chinese art scene from the late 1970s to the 2000s. As a sourcebook and anthology, this volume is an essential resource for scholarship in the field and introduces the greater public to significant contemporary Chinese artists and their work.\u003c\/p\u003e","brand":"MUSEUM OF MODERN ART 700003","offers":[{"title":"Default Title","offer_id":44169673933030,"sku":"943-943","price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0623\/7962\/2630\/files\/943_a_303ba554-0c13-43d1-a0bc-28d72d7c06bf.jpg?v=1736807672"},{"product_id":"dorothea-lange-words-pictures-hardcover","title":"Dorothea Lange: Words \u0026 Pictures - Hardcover","description":"\u003cp\u003e\u003cstrong\u003eTo look inside this book, click \u003ca href=\"https:\/\/www.moma.org\/d\/pdfs\/W1siZiIsIjIwMjAvMDMvMTgvOWV5Mng1MnA4dV9Nb01BX0xhbmdlX1BSRVZJRVcucGRmIl1d\/MoMA%20Lange%20PREVIEW.pdf?sha=e3a96ce62f82028e\" target=\"new\"\u003e\u003cu\u003ehere\u003c\/u\u003e\u003c\/a\u003e.\u003c\/strong\u003e\n\u003c\/p\u003e\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003eEdited by Sarah Hermanson Meister. With contributions by Julie Ault, Kimberly Juanita Brown, River Encalada Bullock, Sam Contis, Jennifer Greenhill, Lauren Kroiz, Sally Mann, Sandra Phillips, Wendy Red Star, Christina Sharpe, Robert Slifkin, Rebecca Solnit, and Tess Taylor\u003c\/div\u003e\n \u003c\/div\u003e\n\u003cdiv\u003eDorothea Lange (American, 1895–1965) conveyed the stories of everyday life with sharp and compassionate attention to the human condition. Her career is widely heralded, yet the connection she cultivated between words and pictures has received scant attention. In conjunction with a major exhibition at The Museum of Modern Art, this catalogue provides a fresh approach to some of her most iconic images, such as \u003cem\u003eWhite Angel Breadline\u003c\/em\u003e (1933) and \u003cem\u003eMigrant Mother\u003c\/em\u003e (1936), as well as rarely seen works. These photographs, some reproduced in their original published form, are accompanied by contributions from a distinguished group of contemporary writers, artists, and critical thinkers who respond to the images with observations both personal and scholarly. By viewing the breadth of Lange's career and the diverse contexts in which her work appeared, we gain a more nuanced understanding of her achievement and her belief that \"all photographs can be fortified by words.\" 176 pp.; 152 illus.\u003c\/div\u003e","brand":"MUSEUM OF MODERN ART 700003","offers":[{"title":"Default Title","offer_id":44169693331686,"sku":"900104-900104","price":55.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0623\/7962\/2630\/files\/900104_a_bf6f0109-0d9d-45e4-b6c2-cd25f988e50d.jpg?v=1704281025"},{"product_id":"into-the-sunset-photographys-image-of-the-american-west-hardcover","title":"Into the Sunset: Photography's Image of the American West - Hardcover Book","description":"\u003cp\u003eEdited by Eva Respini\n\u003c\/p\u003e\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eThe development of photography coincided with the exploration and settlement of the American West, and since the opening of the frontier the medium has helped shape the perception of the West's physical and social landscape. \u003cem\u003eInto the Sunset\u003c\/em\u003e examines how photography has pictured, established, and transformed the image of the American West, from 1850 to the present.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003ePublished to accompany a major exhibition at The Museum of Modern Art, this dynamic survey charts changing myths and cultural attitudes about the West through the more than 120 photographs reproduced in its plate section and an expansive essay by Eva Respini, former assistant curator in the Department of Photography. The book brings together work by Robert Frank, Darius Kinsey, Dorothea Lange, James Luna, Richard Prince, Edward Ruscha, Cindy Sherman, Stephen Shore, and Carleton E. Watkins, among many others, arranged thematically in engaging spreads to highlight the artist' differing views of the American West's land and people. 168 pp.; 158 illus.\u003c\/div\u003e","brand":"MUSEUM OF MODERN ART 700003","offers":[{"title":"Default Title","offer_id":44169697394918,"sku":"749-749","price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0623\/7962\/2630\/files\/32e7cd07-5e84-4eb2-a6ee-53030313e7a8.jpg?v=1777309691"},{"product_id":"bauhaus-1919-1933-workshops-for-modernity-hardcover","title":"Bauhaus 1919–1933: Workshops for Modernity - Hardcover","description":"\u003cp\u003eEdited by Barry Bergdoll and Leah Dickerman. With contributions by Benjamin H.D. Buchloh, Brigid Doherty, Hal Foster, Charles W. Haxthausen, Andreas Huyssen, Michael Jennings, Juliet Kinchin, Ellen Lupton, Christine Mehring, Detlef Mertins, Marco De Michelis, Peter Nisbet, Paul Monty Paret, Alex Potts, Frederic J. Schwarz, T'ai Smith, Adrian Sudhalter, Klaus Weber, Christopher Wilk, and Matthew S. Witkovsky\n\u003c\/p\u003e\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\n\u003cem\u003eBauhaus 1919–1933: Workshops for Modernity\u003c\/em\u003e, published to accompany a major multimedia exhibition, is The Museum of Modern Art's first comprehensive treatment of the subject since its famous Bauhaus exhibition of 1938. It offers a new generational perspective on the twentieth century's most influential experiment in artistic education, and examines the extraordinarily broad spectrum of the school's products. Many of the objects discussed and illustrated here have rarely if ever been seen outside of Germany.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eFeaturing approximately 400 full-color plates richly complemented by a range of documentary images,\u003cem\u003e Bauhaus 1919–1933\u003c\/em\u003e includes two overarching essays by the exhibition's curators, Barry Bergdoll and Leah Dickerman; shorter object-specific essays by more than twenty leading scholars; and an illustrated, narrative chronology that provides a dynamic glimpse of the Bauhaus's lived history. 328 pp.; 510 illus.\u003c\/div\u003e","brand":"MUSEUM OF MODERN ART 700003","offers":[{"title":"Default Title","offer_id":44169697525990,"sku":"758-758","price":85.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0623\/7962\/2630\/files\/758_a_2209358d-a323-4d6d-ab8b-71da9b6b46cd.jpg?v=1736869566"},{"product_id":"cindy-sherman-hardcover","title":"Cindy Sherman - Hardcover","description":"\u003cp\u003eEdited by Eva Respini. With contributions by Johanna Burton and John Waters\n\u003c\/p\u003e\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eCindy Sherman is one of the most influential and consistently original artists of our time. Masquerading as a myriad of characters in front of her own camera, Sherman creates invented personas and provocative tableaus that examine the construction of identity and the nature of representation. Her works speak to our increasingly image-saturated world, drawing on the unlimited supply of visual material provided by the mass media, pop culture, and art history. Whether portraying a career girl or a blond bombshell, a fashion victim or a clown, a French aristocrat or a society lady of a certain age, Sherman's work has always had the ability to reflect the ideas of the culture at large and to resonate with a wide audience. \u003cem\u003eCindy Sherman\u003c\/em\u003e presents the most up-to-date overview of her groundbreaking career, from the mid-1970s to the present, and provides new insight into the work of this relentlessly innovative artist. 264 pp.; 153 illus.\u003c\/div\u003e","brand":"MUSEUM OF MODERN ART 700003","offers":[{"title":"Default Title","offer_id":44169710567654,"sku":"812-812","price":60.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0623\/7962\/2630\/files\/812_a.jpg?v=1737498061"},{"product_id":"yayoi-kusama-from-here-to-infinity-hardcover","title":"Yayoi Kusama: From Here to Infinity - Hardcover","description":"\u003cp\u003eBy Sarah Suzuki. Illustrated by Ellen Weinstein\n\u003c\/p\u003e\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eGrowing up in Japan, Yayoi Kusama dreamed of becoming an artist. In the fields of her family’s nurseries she drew flowers and plants and stones, imagining the world around her as streams and clusters and arrays of dots. After studying traditional painting in Japan, Kusama moved to New York City, where she quickly became famous for her paintings patterned with dots.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eOne of the most popular artists in the world, Kusama lives in Japan and still makes art every day. “Our earth is only one polka dot among a million stars in the cosmos,” the artist has said. “Polka dots are a way to infinity.” Written by Sarah Suzuki, a curator at The Museum of Modern Art, New York, with illustrations by Ellen Weinstein and reproductions of seven of Kusama's artworks, this colorful book tells the story of an artist who is covering the world in dots, from here to infinity. 40 pp.; illustrated throughout.\u003c\/div\u003e","brand":"MUSEUM OF MODERN ART 700003","offers":[{"title":"Multi","offer_id":44169710731494,"sku":"1129-900039","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0623\/7962\/2630\/files\/6e93099b-e1ac-4f16-ad48-c5c3a688a8b6.jpg?v=1759848085"},{"product_id":"jasper-johns-regrets-hardcover","title":"Jasper Johns: Regrets - Hardcover","description":"\u003cp\u003eBy Ann Temkin and Christophe Cherix\n\u003c\/p\u003e\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eIn 2012, Jasper Johns encountered an old photograph of the painter Lucian Freud in an auction catalogue. In the picture, Freud sits on a bed, holding his right hand to his forehead in a gesture of weariness or despair. Inspired not only by the image, but by the physical qualities of the photograph itself, Johns took this motif through a succession of permutations using a variety of mediums and techniques. The title and signature inscribed on most of the works—\"Regrets\/Jasper Johns\"—call to mind a feeling of sadness or disappointment. The words, however, are not without irony: Johns borrowed them from a rubber stamp he had made several years ago to decline the myriad requests and invitations that come his way.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003ePublished in conjunction with an exhibition of this series of paintings, drawings, and prints, this publication presents each of the works in full color. An essay by Ann Temkin, Chief Curator of Painting and Sculpture, and Christophe Cherix, Chief Curator of Drawings and Prints, The Museum of Modern Art, examines the importance of process and experimentation, the cycle of dead ends and fresh starts, and the incessant interplay of materials, meaning, and representation so characteristic of Johns's career over the last sixty years. 72 pp.; 72 illus.\u003c\/div\u003e","brand":"MUSEUM OF MODERN ART 700003","offers":[{"title":"Default Title","offer_id":44169712599270,"sku":"958-958","price":24.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0623\/7962\/2630\/files\/958_a_08d0b3ac-5435-4cd1-a5df-bac85ec64287.jpg?v=1736807563"},{"product_id":"print-out-20-years-in-print-paperback","title":"Print\/Out: 20 Years in Print - Paperback","description":"\u003cp\u003eEdited by Christophe Cherix. With contributions by Kim Conaty and Sarah Suzuki\n\u003c\/p\u003e\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eOver the past two decades, geopolitical borders have shifted and new technologies have forged channels of communication around the world. The Western art world has become part of a much broader field, opening itself to new continents and allowing for a significant crosspollination of post-Conceptual strategies and vernacular modes. Printed materials, in both innovative and traditional forms, have played a key role in the exchange of ideas and sources.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\n\u003cem\u003ePrint\/Out\u003c\/em\u003e, published in conjunction with an exhibition at The Museum of Modern Art, examines the evolution of artistic practices related to printmaking, from a recent resurgence of traditional printing techniques—often used alongside digital technologies—to the proliferation of self-published artists' projects. This publication features focused sections on ten artists and publishers—Ai Weiwei, Ellen Gallagher, Martin Kippenberger, Lucy McKenzie, Aleksandra Mir, museum in progress, Edition Jacob Samuel, SUPERFLEX, Robert Rauschenberg, and Rirkrit Tiravanija—as well as rich illustrations of printed projects from the last twenty years by major artists such as Trisha Donnelly, Felix Gonzalez-Torres, Thomas Schütte, and Kelley Walker. 236 pp.; 521 illus.\u003c\/div\u003e","brand":"MUSEUM OF MODERN ART 700003","offers":[{"title":"Default Title","offer_id":44169712730342,"sku":"825-825","price":50.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0623\/7962\/2630\/files\/825_a_aa8c43b3-dc74-439e-a23a-4b613d2aa4a0.jpg?v=1736866931"},{"product_id":"neri-oxman-material-ecology-paperback","title":"Neri Oxman: Material Ecology - Paperback","description":"\u003cp\u003e\u003cstrong\u003eTo look inside this book, click \u003ca href=\"https:\/\/www.moma.org\/d\/pdfs\/W1siZiIsIjIwMjAvMDMvMTgvN3h0aTB0ZDIwZV9Nb01BX094bWFuX1BSRVZJRVcucGRmIl1d\/MoMA%20Oxman%20PREVIEW.pdf?sha=b9de8a989ee0332c\" target=\"new\"\u003e\u003cu\u003ehere\u003c\/u\u003e\u003c\/a\u003e. \u003c\/strong\u003e\n\u003c\/p\u003e\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003eEdited by Paola Antonelli. With contributions by Anna Burckhardt and Hadas A. Steiner\u003c\/div\u003e\n \u003c\/div\u003e\n\u003cdiv\u003eNeri Oxman calls her design approach Material Ecology—a process that draws on the structural, systemic, and aesthetic wisdom of nature, distilled and deployed through computation and digital fabrication. Throughout her twenty-year career, she has been a pioneer of new materials and construction processes, and a catalyst for dynamic interdisciplinary collaboration. With The Mediated Matter Group, her research team at the MIT Media Lab, Oxman has pursued rigorous and daring experimentation that is grounded in science, propelled by visionary thinking, and distinguished by formal elegance.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003ePublished to accompany a monographic exhibition of Oxman's work at The Museum of Modern Art, New York, \u003cem\u003eNeri Oxman: Material Ecology\u003c\/em\u003e features essays by Paola Antonelli and Hadas A. Steiner. Its design, by Irma Boom, pays homage to Stewart Brand's legendary\u003cem\u003e Whole Earth Catalog\u003c\/em\u003e, which celebrated and provided resources for a new era of awareness in the late 1960s. This volume, in turn, heralds a new era of ecological awareness—one in which the genius of nature can be harnessed, as Oxman is doing, to create tools for a better future. 192 pp.; 220 illus.\u003c\/div\u003e","brand":"MUSEUM OF MODERN ART 700003","offers":[{"title":"Default Title","offer_id":44169716039910,"sku":"900105-900105","price":55.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0623\/7962\/2630\/files\/900105_a_e04ed6a5-1d5f-4d72-ae85-a9de1d1846cb.jpg?v=1704281099"},{"product_id":"the-great-new-york-subway-map-hardcover","title":"The Great New York Subway Map - Hardcover","description":"\u003cp\u003e\u003cstrong\u003eTo look inside this book, click \u003cspan style=\"text-decoration: underline;\"\u003e\u003ca href=\"https:\/\/www.moma.org\/d\/pdfs\/W1siZiIsIjIwMTkvMDcvMTAvMjQ2cWJhcHlhM19Nb01BX0dyZWF0X05ld19Zb3JrX1N1YndheV9NYXBfUFJFVklFVy5wZGYiXV0\/MoMA%20Great%20New%20York%20Subway%20Map%20PREVIEW.pdf?sha=858eb833fe0c3157\"\u003ehere\u003c\/a\u003e\u003c\/span\u003e. \u003c\/strong\u003e\n\u003c\/p\u003e\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eBy Emiliano Ponzi\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eNearly 6 million riders use the New York City subway every day. How do you make a map that helps all of them get to where they are going? \u003cem\u003eThe Great New York Subway Map\u003c\/em\u003e, written and illustrated by Emiliano Ponzi and published by The Museum of Modern Art, in association with the New York Transit Museum, tells the fascinating story of the map’s creation in 1972 by the great Italian designer Massimo Vignelli and his team. This book introduces young readers to the idea of graphic design as a way to solve problems, such as creating a map that can be understood by New Yorkers and out-of-towners alike. 40 pp.; illustrated throughout.\u003c\/div\u003e","brand":"MUSEUM OF MODERN ART 700003","offers":[{"title":"Default Title","offer_id":44169726558438,"sku":"900025-900025","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0623\/7962\/2630\/files\/60d700c5-3f8a-4fe1-a35f-b2f1c61cce91_3072.jpg?v=1737493673"},{"product_id":"toward-a-concrete-utopia-architecture-in-yugoslavia-1948-1980-hardcover","title":"Toward a Concrete Utopia: Architecture in Yugoslavia, 1948–1980 - Hardcover","description":"\u003cp\u003eSituated between the two rival Cold War blocs, Yugoslavia produced a “parallel universe” of modern architecture, built to meet the needs of the country’s unique brand of self-managing socialism, often described as the “Third Way.” Responding to the social and political climate, Yugoslav architects freely reinterpreted international currents in design, merging them with a variety of local building traditions. At the same time, Yugoslavia also became a major exporter of modernist architecture to postcolonial Africa and the Middle East. While the remarkable body of work that emerged in the postwar socialist era has sparked recurrent international interest, no rigorous examination of this understudied but significant chapter in the history of architectural modernism has been available in the United States until now.\n\u003c\/p\u003e\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003ePublished in conjunction with a major exhibition at The Museum of Modern Art on the architectural production of Yugoslavia between 1948 and 1980, this groundbreaking, richly illustrated volume, features new scholarship, unpublished archival materials, and a portfolio of contemporary photographs by Valentin Jeck. Shedding light on key concepts of Yugoslav architecture, urbanism, and society by delving into the exceptional projects and key figures of the era, the publication provides a broader understanding of postwar modernism on a global scale.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eTo look inside this book, click \u003ca href='a%20href=\"https:\/\/www.moma.org\/d\/pdfs\/W1siZiIsIjIwMTgvMDgvMjgvbXdxMGllcjRkX01vTUFfVG93YXJkX2FfQ29uY3JldGVfVXRvcGlhX1BSRVZJRVcucGRmIl1d\/MoMA%20Toward%20a%20Concrete%20Utopia%20PREVIEW.pdf?sha=ab7b9a7c73a60a30\"%20target=\"new\"\u0026gt;\u0026lt;u\u0026gt;here\u0026lt;\/u\u0026gt;\u0026lt;\/a\u0026gt;.\u0026lt;\/b\u0026gt;\u0026lt;br\u0026gt;\u0026lt;br'\u003ehere\u003c\/a\u003e.\u003c\/strong\u003e\u003c\/div\u003e","brand":"MUSEUM OF MODERN ART 700003","offers":[{"title":"Default Title","offer_id":44169726656742,"sku":"900051-900051","price":65.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0623\/7962\/2630\/files\/900051_b_23eeda7c-f43f-47d4-aa78-7bd03f7b5de0.jpg?v=1704232730"},{"product_id":"photography-at-moma-1920-to-1960-hardcover","title":"Photography at MoMA: 1920 to 1960 - Hardcover","description":"\u003cp\u003e\u003cstrong\u003eTo look inside this book, click \u003cspan style=\"text-decoration: underline;\"\u003e\u003ca href=\"https:\/\/www.moma.org\/d\/pdfs\/W1siZiIsIjIwMTgvMDYvMTMvMXdra3Brbjg4Ml9QaG90b19hdF9Nb01BX1ZvbDJfUFJFVklFVy5wZGYiXV0\/Photo_at_MoMA_Vol2_PREVIEW.pdf?sha=1f3bb2c5a369a7d9\"\u003ehere\u003c\/a\u003e\u003c\/span\u003e. \u003c\/strong\u003e\n\u003c\/p\u003e\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eEdited by Quentin Bajac, Lucy Gallun, Roxana Marcoci, and Sarah Hermanson Meister. With contributions by Douglas Coupland, Kevin Moore, Drew Sawyer, and Pepper Stetler\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\n\u003cem\u003ePhotography at MoMA: 1920 to 1960\u003c\/em\u003e charts the explosive development of the medium during the height of the modernist period. As photography evolved from a tool of documentation and identification into one of tremendous variety, its rapport with the visible world was transformed, as seen in Walker Evans's documentary style, Dora Maar's Surrealist exercises, El Lissitzky's photomontages, August Sander's unflinching objectivity, the iconic news images published in the \u003cem\u003eNew York Times\u003c\/em\u003e, Man Ray's darkroom experiments, and Tina Modotti's socio-artistic approach.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eIn eight thematic chapters, this book presents more than two hundred artists, including Berenice Abbott, Manuel Ãlvarez Bravo, Geraldo de Barros, Margaret Bourke-White, Bill Brandt, Claude Cahun, Harry Callahan, Henri Cartier-Bresson, Roy DeCarava, Robert Frank, Germaine Krull, Dorothea Lange, Gordon Parks, Aleksandr Rodchenko, Alfred Stieglitz, Otto Steinert, and James Van Der Zee. 392 pp.; 375 illus.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eThis is the second volume in the three-volume Photography at MoMA series, which draws upon the exceptional depth of the Museum's collection to tell a new history of photography. View the other titles in the series: \u003cspan style=\"text-decoration: underline;\"\u003e\u003cem\u003e\u003ca href=\"https:\/\/store.moma.org\/books\/moma-publications\/photography-at-moma-1840-1920\/1045-900028.html\"\u003ePhotography at MoMA: 1840 to 1920\u003c\/a\u003e \u003c\/em\u003e\u003c\/span\u003eand \u003cem\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003ca href=\"https:\/\/store.moma.org\/books\/moma-publications\/photography-at-moma-1960-to-now\/969-969.html\"\u003ePhotography at MoMA: 1960 to Now\u003c\/a\u003e.\u003c\/span\u003e\u003c\/em\u003e\n\u003c\/div\u003e","brand":"MUSEUM OF MODERN ART 700003","offers":[{"title":"Default Title","offer_id":44169791963366,"sku":"900013-900013","price":75.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0623\/7962\/2630\/files\/900013_a_1ff2ea8b-0ee7-41c9-ba99-98c7d84fa9f7.jpg?v=1770950966"},{"product_id":"one-and-one-is-four-the-bauhaus-photocollages-of-josef-albers-hardcover","title":"One and One Is Four: The Bauhaus Photocollages of Josef Albers - Hardcover","description":"\u003cp\u003e\u003cstrong\u003eTo look inside this book, click \u003cspan style=\"text-decoration: underline;\"\u003e\u003ca href=\"https:\/\/www.moma.org\/d\/pdfs\/W1siZiIsIjIwMTgvMDYvMTMvM2VvOHpsb3Nzcl9Nb01BX0FsYmVyc19QUkVWSUVXLnBkZiJdXQ\/MoMA_Albers_PREVIEW.pdf?sha=7eb30f1459c91ffe\"\u003ehere\u003c\/a\u003e\u003c\/span\u003e. \u003c\/strong\u003e\n\u003c\/p\u003e\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eEdited by Sarah Hermanson Meister. With contributions by Elizabeth Otto and Lee Ann Daffner\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eDuring an extraordinary career that originated at the Bauhaus, Josef Albers (1888–1976) achieved acclaim for his work across a range of mediums, from glassworks and furniture design to printmaking and painting. Yet Albers's engagement with modernist photography remained largely hidden until after his death, and it is only now that all of the unique photocollages the artist produced at the famed art school—before he fled Nazi Germany for the United States—have been published together, many for the first time.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\n\u003cem\u003eOne and One Is Four: The Bauhaus Photocollages of Josef Albers\u003c\/em\u003e reveals an artist at once playful and restrained, personal and enigmatic. The publication features essays that consider Albers's photocollages as remarkable contributions to the medium, survey photocollages by Albers's fellow Bauhäusler, and examine the artist's materials to suggest new insights into these works, the discovery of which has been celebrated as one of the great art finds of the past century. 128 pp.; 100 illus.\u003c\/div\u003e","brand":"MUSEUM OF MODERN ART 700003","offers":[{"title":"Default Title","offer_id":44169814016230,"sku":"900017-900017","price":50.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0623\/7962\/2630\/files\/744740bb-add4-43b7-a7cc-775d5ab59b3d.jpg?v=1736959931"},{"product_id":"judd-hardcover","title":"Judd - Hardcover","description":"\u003cp\u003e\u003cstrong\u003eTo look inside this book, click \u003cspan style=\"text-decoration: underline;\"\u003e\u003ca href=\"https:\/\/www.moma.org\/d\/pdfs\/W1siZiIsIjIwMjAvMDMvMjIvNzk1Y3prZTV6dl9Nb01BX0p1ZGRfUFJFVklFVy5wZGYiXV0\/MoMA%20Judd%20PREVIEW.pdf?sha=d5512b0a98908663\"\u003ehere\u003c\/a\u003e\u003c\/span\u003e. \u003c\/strong\u003e\n\u003c\/p\u003e\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eEdited by Ann Temkin. With contributions by Erica Cooke, Tamar Margalit, Christine Mehring, James Meyer, Annie Ochmanek, Yasmil Raymond, and Jeffrey Weiss\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003ePublished to accompany the first US retrospective exhibition of Donald Judd's sculpture in more than thirty years, Judd explores the work of a landmark artist who, over the course of his career, developed a material and formal vocabulary that transformed the field of modern sculpture. Donald Judd was among a generation of artists in the 1960s who sought to entirely do away with illusion, narrative, and metaphorical content. \u003cem\u003eJudd\u003c\/em\u003e surveys the evolution of his work, beginning with his paintings, reliefs, and handmade objects from the early 1960s; through the years in which he built an iconic vocabulary of works in three dimensions, including hollow boxes, stacks, and progressions made with metals and plastics by commercial fabricators; and continuing through his extensive engagement with color during the last decade of his life.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eThis richly illustrated catalogue takes a close look at Judd's achievements, and using newly available archival materials at the Judd Foundation and elsewhere, expands scholarly perspectives on his work. Essays by curators and scholars address subjects such as his early beginnings in painting, the fabrication of his sculptures, his site-specific pieces, and his work in design and architecture. 304 pp.; 350 illus.\u003c\/div\u003e","brand":"MUSEUM OF MODERN ART 700003","offers":[{"title":"Default Title","offer_id":44169972187366,"sku":"900032-900032","price":75.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0623\/7962\/2630\/files\/900032_a_d0c0faa8-0c19-47ba-a2db-276f5eb90203.jpg?v=1704281526"},{"product_id":"bodys-isek-kingelez-hardcover","title":"Bodys Isek Kingelez - Hardcover","description":"\u003cp\u003e\u003cstrong\u003eTo look inside this book, click \u003cspan style=\"text-decoration: underline;\"\u003e\u003ca href=\"https:\/\/www.moma.org\/d\/pdfs\/W1siZiIsIjIwMTkvMDcvMTAvMWt0OG8wbmNmYl9Nb01BX0tpbmdlbGV6X1BSRVZJRVcucGRmIl1d\/MoMA%20Kingelez%20PREVIEW.pdf?sha=05746106b722b462\"\u003ehere\u003c\/a\u003e\u003c\/span\u003e. \u003c\/strong\u003e\n\u003c\/p\u003e\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e  Edited by Sarah Suzuki. With contributions by David Adjaye, Chika Okeke-Agulu, Sammy Baloji, and André Magnin\u003c\/div\u003e\n \u003c\/div\u003e\n\u003cdiv\u003eThe visionary artist Bodys Isek Kingelez created utopian propositions for cities in a peaceful and prosperous tomorrow. Born in the Belgian Congo in 1948, Kingelez came of age in a period of tremendous change, as his country evolved in the complex years following Independence. He made his first artworks in the late 1970s in Kinshasa, the capital of the newly renamed nation of Zaire, transforming modest materials—paper, cardboard, plastic, and commercial packaging—into dazzling and intricate sculptures. Inspired in large part by the life and architecture of the capital (where he lived until his death in 2015), his works depict civic buildings, public monuments, national pavilions, and skyscrapers, both singly and combined into fantastical and expansive cities. Kingelez gained international renown through his participation in the landmark 1989 exhibition\u003cem\u003e Magiciens de la terre,\u003c\/em\u003e at the Centre Pompidou, Paris, and his sculptures have since been shown around the world.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003ePublished to accompany an exhibition at The Museum of Modern Art, New York—the first-ever full retrospective of Kingelez’s practice—this catalogue traces the span of the artist’s thirty-year career, from his rarely seen early works to the large-scale cities of his later decades. Featuring stunning new photography, this is the most comprehensive volume on the artist to date. 144 pp.; 90 illus.\u003c\/div\u003e","brand":"MUSEUM OF MODERN ART 700003","offers":[{"title":"Default Title","offer_id":44170104668390,"sku":"900054-900054","price":17.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0623\/7962\/2630\/files\/35829235-13c3-4825-a3ae-2ad2db977b20_3072.jpg?v=1749749117"},{"product_id":"cezanne-drawing-hardcover","title":"Cézanne Drawing - Hardcover","description":"\u003cp\u003e\u003cstrong\u003eWinner of the Association of American Publisher's 2022 PROSE Award for Best Art Exhibition Catalogue\u003c\/strong\u003e\n\u003c\/p\u003e\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eEdited by Jodi Hauptman and Samantha Friedman. With contributions by Kiko Aebi, Samantha Friedman, Jodi Hauptman, Annemarie Iker, and Laura Neufeld.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e“Drawing is merely the configuration of what you see,” Paul Cézanne wrote, and his practice of drawing, he believed, taught him “to see well.” Cézanne drew almost daily, hiking out into the hills or into dense forests for views of nature; returning repeatedly to subjects close at hand, such as his wife, his son, his own likeness, and the bottles, pitchers, and fruit in his home and studio; and envisioning scenes, both violent and idyllic, from his imagination. The resulting works, in watercolor and pencil, are some of the artist’s most radical, representing with a fresh immediacy the iconic motifs for which he is most recognized: vibrant still lifes, prismatic landscapes, and carefully choreographed bathers.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eAccompanying a major exhibition at The Museum of Modern Art, Cézanne Drawing is a career-spanning appraisal of the artist’s works on paper, tracing the development of his practice, illuminating his themes and subjects, exploring his working methods, and ultimately revealing the essential role drawing played in shaping Cézanne’s vision. 184 pp.; 254 illus.\u003c\/div\u003e","brand":"MUSEUM OF MODERN ART 700003","offers":[{"title":"Default Title","offer_id":44170104766694,"sku":"900126-900126","price":50.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0623\/7962\/2630\/files\/900126_a_71129844-d63f-4cee-8586-abd7005101dc.jpg?v=1704280549"},{"product_id":"engineer-agitator-constructor-the-artist-reinvented-1918-1939-the-merrill-c-berman-collection-at-moma-hardcover","title":"Engineer, Agitator, Constructor: The Artist Reinvented, 1918–1939—The Merrill C. Berman Collection at MoMA - Hardcover","description":"\u003cp\u003e\u003cstrong\u003eTo look inside this book, click \u003ca href=\"https:\/\/www.moma.org\/d\/pdfs\/W1siZiIsIjIwMjEvMDMvMTEvMWk1c3lsNHhxN19Nb01BX0VuZ2luZWVyQWdpdGF0b3JDb25zdHJ1Y3Rvcl9QUkVWSUVXLnBkZiJdXQ\/MoMA_EngineerAgitatorConstructor_PREVIEW.pdf?sha=95229b2ce1947ac9\" target=\"new\"\u003e\u003cu\u003ehere\u003c\/u\u003e\u003c\/a\u003e.\u003c\/strong\u003e\n\u003c\/p\u003e\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eEdited by Jodi Hauptman and Adrian Sudhalter. With contributions by Jenny Anger, Barbora Bartunkova, Barry Bergdoll, Benjamin Buchloh, Jane Cavalier, Masha Chlenova, Jean-Louis Cohen, Olivia Crough, Lee Ann Daffner, Noam Elcott, Katie Farris, Devin Fore, Maria Gough, Ilya Kaminsky, William Kentridge, Christina Kiaer, Juliet Kinchin, Iva Knobloch, Juliet Koss, Megan Luke, Ellen Lupton, Erika Mosier, Chris McGlinchey, Laura Neufeld, Libby Otto, Kristin Romberg, Jeffrey Schnapp, Martino Stierli, Jenny Tobias, Robert Wiesenberger, and Andrés Zervigón\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\"We regarded ourselves as engineers, we maintained that we were building things.\" So recalled the German artist Hannah Höch, describing a radically new approach to artmaking in the interwar period that coincided with momentous shifts in industry, technology, and labor; watershed events such as World War I and the Russian Revolution; and the rise of fascism. Foregrounding innovators like Marianne Brandt, John Heartfield, Liubov Popova, and Aleksandr Rodchenko, \u003cem\u003eEngineer, Agitator, Constructor\u003c\/em\u003e examines the ambition to create new and dynamic art for a new world, an effort that still resonates today.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\n\u003cem\u003eEngineer, Agitator, Constructor\u003c\/em\u003e celebrates the recent transformative addition to MoMA's holdings from the Merrill C. Berman Collection, one of the great collections of early-twentieth-century art and design. Essays by eminent scholars, conservators, artists, and poets consider the era's revolutionary art forms, such as photomontage and the New Typography; the essential role of women in the avant-garde; and the networks linking these artists across geographic and ideological borders. 312 pp.; 344 illus.\u003c\/div\u003e","brand":"MUSEUM OF MODERN ART 700003","offers":[{"title":"Default Title","offer_id":44170105389286,"sku":"900108-900108","price":75.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0623\/7962\/2630\/files\/900108_a_72195f37-a078-413f-86f2-973c871e4ea7.jpg?v=1704233060"},{"product_id":"felix-feneon-the-anarchist-and-the-avant-garde-hardcover","title":"Félix Fénéon: The Anarchist and the Avant-Garde - Hardcover","description":"\u003cp\u003e\u003cstrong\u003eTo look inside this book, click \u003ca href=\"https:\/\/www.moma.org\/d\/pdfs\/W1siZiIsIjIwMjAvMDMvMjAvM2hmYmg2OTl5MF9Nb01BX0ZlbmVvbl9QUkVWSUVXLnBkZiJdXQ\/MoMA%20Feneon%20PREVIEW.pdf?sha=73ba75d5d44099fc\" target=\"new\"\u003e\u003cu\u003ehere\u003c\/u\u003e\u003c\/a\u003e.\u003c\/strong\u003e\n\u003c\/p\u003e\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eFinalist for the Association of American Publisher's 2021 PROSE Award for Best Art Exhibition Catalogue\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\nEdited by Starr Figura, Isabelle Cahn, and Philippe Peltier. With contributions by by Cécile Bargues, Yaelle Biro, Anna Blaha, Megan Fontanella, Claudine Grammont, Joan U. Halperin, Charlotte Hellman, Béatrice Joyeux-Prunel, Patricia Leighten, Léa Saint-Raymond, Élodie Vaudry, and Marnin Young\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eEnigmatic, unassuming, and always working discreetly behind the scenes, Félix Fénéon had a profound influence on the development of modern art. As a young critic in the burgeoning art and literary scene of 1880s Paris, Fénéon was an early and ardent champion of the Neo-Impressionists. As an editor, art dealer, and publisher, he went on to promote and exhibit artists such as Pierre Bonnard, Henri Matisse, and the Italian Futurists, carving out a place for them among the Parisian avant-gardes of the first decades of the twentieth century. Fénéon was one of the earliest European collectors of art from Africa, Oceania, and the Americas, and he amassed a legendary collection of these objects as well as paintings and drawings by his artist friends. All of his activities were influenced by his fervent anarchism and his belief that art could play a fundamental role in the formation of a more harmonious, egalitarian world. Fénéon habitually shunned the spotlight, and he deliberately left few records behind when he died. Nonetheless, he is represented prominently in the collection of The Museum of Modern Art in a dazzling 1890 portrait by his lifelong friend Paul Signac. The painting is featured in this volume and in the exhibition it accompanies, the centerpiece in an array of essays, artworks, and ephemera gathered to illuminate the life of this little-known but fascinating figure. 256 pp.; 228 illus.\u003c\/div\u003e","brand":"MUSEUM OF MODERN ART 700003","offers":[{"title":"Default Title","offer_id":44170105422054,"sku":"900101-900101","price":32.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0623\/7962\/2630\/files\/900101_a_c8f176da-b3f4-430f-a0c0-c1b53e5e993c.jpg?v=1704281098"},{"product_id":"from-bauhaus-to-buenos-aires-grete-stern-horacio-coppola-hardcover","title":"From Bauhaus to Buenos Aires: Grete Stern \u0026 Horacio Coppola - Hardcover","description":"\u003cp\u003e\u003cstrong\u003eTo look inside this book, click \u003cspan style=\"text-decoration: underline;\"\u003e\u003ca href=\"https:\/\/www.moma.org\/d\/pdfs\/W1siZiIsIjIwMTgvMDYvMTMvcGltbTlxNXgxX01vTUFfU3Rlcm5Db3Bwb2xhX1BSRVZJRVcucGRmIl1d\/MoMA_SternCoppola_PREVIEW.pdf?sha=58ac5cd3122db1fd\"\u003ehere\u003c\/a\u003e\u003c\/span\u003e. \u003c\/strong\u003e\n\u003c\/p\u003e\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eEdited by Roxana Marcoci and Sarah Hermanson Meister. With contributions by Jodi Roberts\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003ePublished to accompany the first US museum exhibition of the work of German-born Grete Stern and Argentinean Horacio Coppola, \u003cem\u003eFrom Bauhaus to Buenos Aires\u003c\/em\u003e explores the individual accomplishments and parallel developments of two of the foremost practitioners of avant-garde photography in Europe and Latin America. The book traces their artistic evolution from the late 1920s, when Stern established a pioneering commercial studio, ringl + pit, with her friend Ellen (Rosenberg) Auerbach, and Coppola began groundbreaking experimentations with photography in his native Argentina, to their joint studies at the Bauhaus and travels through Europe in the early 1930s, through the mid-1950s, by which time they had firmly established the foundations of modern photography in Buenos Aires.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eFeaturing a selection of newly translated original texts by Stern and Coppola, and essays by curators Roxana Marcoci and Sarah Hermanson Meister and scholar Jodi Roberts, \u003cem\u003eFrom Bauhaus to Buenos Aires\u003c\/em\u003e is the first publication in English to examine the critical intersections that defined the notable careers of these two influential artists. 256 pp.; 140 illus.\u003c\/div\u003e","brand":"MUSEUM OF MODERN ART 700003","offers":[{"title":"Default Title","offer_id":44170105553126,"sku":"961-961","price":60.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0623\/7962\/2630\/files\/f1bcd353-0230-4123-bb58-366ecc31cc91_052a7d57-18ae-48c6-967f-88308a5aa73b.jpg?v=1736803760"},{"product_id":"home-delivery-fabricating-the-modern-dwelling-hardcover","title":"Home Delivery: Fabricating the Modern Dwelling - Hardcover","description":"\u003cp\u003eEdited by Barry Bergdoll and Peter Christensen. With contributions by Barry Bergdoll, Ken Tadashi Oshima, and Rasmus Wærn\n\u003c\/p\u003e\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eToday, with the digital revolution reorganizing the relationship between the drafting board and the factory, prefabrication continues to spur innovative manufacturing and imaginative design, and its potential is not yet fulfilled. But the mass-produced, factory-made home has had a distinguished history, serving as a vital precept in the development of modern architecture. \u003cem\u003eHome Delivery\u003c\/em\u003e traces this history, from its early roots in colonial cottages to the work of such figures as Thomas Edison, Marcel Breuer, Jean Prouvé, and Buckminster Fuller, and concludes in the present-day with a group of contemporary houses commissioned specifically for the MoMA exhibition that this book accompanies. 248 pp.; 250 illus.\u003c\/div\u003e","brand":"MUSEUM OF MODERN ART 700003","offers":[{"title":"Default Title","offer_id":44170109649126,"sku":"733-733","price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0623\/7962\/2630\/files\/733_a_71723cc2-ddfe-4b4f-afb9-6a06b6d6a9da.jpg?v=1736869127"},{"product_id":"lincoln-kirstein-s-modern-hardcover","title":"Lincoln Kirstein’s Modern - Hardcover","description":"\u003cp\u003e\u003cstrong\u003eTo look inside this book, click \u003cspan style=\"text-decoration: underline;\"\u003e\u003ca href=\"https:\/\/www.moma.org\/d\/pdfs\/W1siZiIsIjIwMTkvMDcvMDkvN3Z1dDBxejB1dF9XZWJTYW1wbGVfS2lyc3RlaW5fY2F0YWxvZ3VlX0ZJTkFMLnBkZiJdXQ\/WebSample_Kirstein_catalogue_FINAL.pdf?sha=159c147c933257e8\"\u003ehere\u003c\/a\u003e\u003c\/span\u003e.\u003c\/strong\u003e\n\u003c\/p\u003e\u003cdiv\u003e \u003c\/div\u003e\nEdited by Samantha Friedman and Jodi Hauptman. With contributions by Samantha Friedman, Lynn Garafola, Michelle Greet, Michelle Harvey, Richard Meyer, and Kevin Moore\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eLincoln Kirstein (1907–1996) was a true polymath—writer, critic, curator, and impresario—and an indefatigable catalyst, whose contributions to American cultural endeavors in the 1930s and '40s helped shaped the lives of artists and institutions. Best known for his defining role with the New York City Ballet, which he co-founded with choreographer George Balanchine, Kirstein is also a crucial figure in the early history of The Museum of Modern Art. A champion of realism, photography, and performance, he organized numerous exhibitions, established the Museum's short-lived Dance Archives and its curatorial Dance and Theatre Design department, acquired a significant trove of Latin American art for MoMA's collection, and proposed an alternate vision of modernism—one that embraced figuration—to a museum known for its devotion to abstraction.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003ePublished in conjunction with an exhibition dedicated to Kirstein's expansive view of modern art, this volume explores his wide-ranging and overlapping professional and social networks in New York City and beyond. This richly illustrated book features paintings, drawings, sculptures, photographs, and costume and set designs by artists in Kirstein's ambit, including Antonio Berni, Paul Cadmus, Walker Evans, Raquel Forner, Jared French, Frances Benjamin Johnston, Gaston Lachaise, George Platt Lynes, Elie Nadelman, Ben Shahn, Honoré Sharrer, Pavel Tchelitchew, and Joaquín Torres-García. Also included are four scholarly essays investigating Kirstein's interdisciplinary pursuits, as well as excerpts from his own deeply insightful writings. 200 pp.; 205 illus.\u003c\/div\u003e","brand":"MUSEUM OF MODERN ART 700003","offers":[{"title":"Default Title","offer_id":44170110173414,"sku":"900082-900082","price":27.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0623\/7962\/2630\/files\/900082_a_ce7fec47-db96-4c7d-bc8b-a8eb7498bcef.jpg?v=1704232883"},{"product_id":"moma-ps1-a-history-hardcover","title":"MoMA PS1: A History - Hardcover","description":"\u003cp\u003e\u003cstrong\u003eWinner of the AIGA \u003cem\u003e50 Books | 50 Covers\u003c\/em\u003e 2020 competition\u003c\/strong\u003e\n\u003c\/p\u003e\u003cdiv\u003e \u003c\/div\u003e\nEdited by Klaus Biesenbach and Bettina Funcke. With contributions by Phil Aarons, Marina Abramovic, Sarah Arison, agnès b, Linda Blumberg, Janet Cardiff, Chris Dercon, Peter Eleey, Fred Fisher, Tony Guerrero, Larissa Harris, Alanna Heiss, Jonathan Lill, Glenn D. Lowry, Warren Niesluchowski, Carolee Schneemann, Oliver Shultz, James Turrell, Rebecca H. Quaytman, Jeff Weinstein, Martha Wilson, Andrea Zittel. Historical texts by Vito Acconci, Carl Andre, Rudy Burckhardt, Douglas Davis, Simone Forti, Tina Girouard, Philip Glass, Marcia Hafif, Jene Highstein, Nancy Holt, Patrick Ireland, Les Levine, Sol LeWitt, Richard Nonas, Lucio Pozzi, Charlemagne Palestine \u0026amp; Carol Parker, and Hannah Wilke\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eThis is the first publication on the history of MoMA PS1 and features in-depth interviews with its founder Alanna Heiss and key artists who were closely involved with the institution. The extensive illustrations include previously unpublished archival documentation of exhibitions, performances, and events at the alternative art space. In addition to contributions by contemporary artists, the book includes historical statements about PS1 from Vito Acconci, Carl Andre, Rudy Burckhardt, Douglas Davis, Simone Forti, Tina Girouard, Philip Glass, Marcia Hafif, Jene Highstein, Nancy Holt, Patrick Ireland, Les Levine, Sol LeWitt, Richard Nonas, Lucio Pozzi, Charlemagne Palestine and Carol Parker, and Hannah Wilke. 304 pp.; 300 illus.\u003c\/div\u003e","brand":"MUSEUM OF MODERN ART 700003","offers":[{"title":"Default Title","offer_id":44170110468326,"sku":"900069-900069","price":32.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0623\/7962\/2630\/files\/900069_a_d246a489-c616-4d01-afd5-ff2446ede96c.jpg?v=1704232894"},{"product_id":"object-photo-modern-photographs-the-thomas-walther-collection-1909-1949-hardcover","title":"Object: Photo: Modern Photographs—The Thomas Walther Collection, 1909–1949 - Hardcover","description":"\u003cp\u003e\u003cstrong\u003eTo look inside this book, click \u003cspan style=\"text-decoration: underline;\"\u003e\u003ca href=\"https:\/\/www.moma.org\/d\/pdfs\/W1siZiIsIjIwMTgvMDYvMTMvN3gxdDl3cTN6MV9Nb01BX1dhbHRoZXJfUFJFVklFVy5wZGYiXV0\/MoMA_Walther_PREVIEW.pdf?sha=d9a7f20ef938e5ba\"\u003ehere\u003c\/a\u003e\u003c\/span\u003e. \u003c\/strong\u003e\n\u003c\/p\u003e\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eEdited by Mitra Abbaspour, Lee Ann Daffner, and Maria Morris Hambourg. With contributions by Jim Coddington, Constance McCabe, Hanako Murata, Paul Messier, Klaus Pollmeier, Ute Eskildsen, Matthew S. Witkovsky, Olivier Lugon, and Quentin Bajac\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eIn 2001, The Museum of Modern Art acquired 341 modernist photographs from the Thomas Walther Collection. \u003cem\u003eObject:Photo\u003c\/em\u003e explores these brilliant photographs from the first half of the twentieth century—the most dynamic period in the development of modern photography—using a new approach: instead of concentrating on the content of the images, it considers them as objects- as actual, physical things created by particular artists using particular techniques at particular times, each with unique histories.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eEssays by conservators and historians of photography provide new insight into the nature of these pictures while also acknowledging the cultural importance of photography from the interwar period—as well as the rarity of its best examples. Each image is presented here in a special five-color reproduction and accompanied by an unprecedented degree of technical and historical detail, setting a new standard for the study of photography. 400 pp.; 615 illus.\u003c\/div\u003e","brand":"MUSEUM OF MODERN ART 700003","offers":[{"title":"Default Title","offer_id":44170110632166,"sku":"941-941","price":75.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0623\/7962\/2630\/files\/941_a_4bb5a70b-5b91-4cc8-95bf-14215c46de79.jpg?v=1704232601"},{"product_id":"rene-d-harnoncourt-and-the-art-of-installation-hardcover","title":"René d’Harnoncourt and the Art of Installation - Hardcover","description":"\u003cp\u003e\u003cstrong\u003eTo look inside this book, click \u003cspan style=\"text-decoration: underline;\"\u003e\u003ca href=\"https:\/\/www.moma.org\/d\/pdfs\/W1siZiIsIjIwMTkvMDcvMDkvOGwyMWJ3M3dxel9Nb01BX0RfSGFybm9uY291cnRfUFJFVklFVy5wZGYiXV0\/MoMA_D%27Harnoncourt_PREVIEW.pdf?sha=f4a2d7b1e26602cb\"\u003ehere\u003c\/a\u003e\u003c\/span\u003e. \u003c\/strong\u003e\n\u003c\/p\u003e\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eChosen by the \u003cem\u003eNew York Times\u003c\/em\u003e as one of the Best Art Books of 2018 \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eBy Michelle Elligott\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eRené d'Harnoncourt, the director of The Museum of Modern Art from 1949 to 1968, revolutionized the way art exhibitions are conceived and mounted. His genius for installation design and display, documented in elaborate preparatory drawings he created at each step of his process, guided a methodology that has informed how exhibitions are organized to this day. In \u003cem\u003eRené d'Harnoncourt and the Art of Installation\u003c\/em\u003e, Michelle Elligott examines d'Harnoncourt's life and work, delving deep into the Museum's archives to demonstrate his mastery of exhibition presentation, from his first curatorial effort—an exploration of Mexico' indigenous arts, which circulated throughout the United States in the early 1930s—to \u003cem\u003eThe Sculpture of Picasso\u003c\/em\u003e, his final, most elaborate installation at MoMA, in 1967. Through exhibition photographs and d'Harnoncourt's exquisite, rarely seen sketches, this book reveals a unique approach to exhibitions and the fascinating personality behind it. 176 pp.; 204 illus.\u003c\/div\u003e","brand":"MUSEUM OF MODERN ART 700003","offers":[{"title":"Default Title","offer_id":44170110730470,"sku":"900050-900050","price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0623\/7962\/2630\/files\/900050_a_d57c19f8-873c-4e03-be19-8aec32d456a4.jpg?v=1704232808"},{"product_id":"photography-at-moma-1840-to-1920-hardcover","title":"Photography at MoMA: 1840 to 1920 - Hardcover","description":"\u003cp\u003e\u003cstrong\u003eTo look inside this book, click \u003cspan style=\"text-decoration: underline;\"\u003e\u003ca href=\"https:\/\/www.moma.org\/d\/pdfs\/W1siZiIsIjIwMTkvMDcvMTAvNmc5aG9iNTAxbV9XZWJTYW1wbGVfUGhvdG9hdE1vTUEyMDE3LnBkZiJdXQ\/WebSample_PhotoatMoMA2017.pdf?sha=dfe3db186908dac6\"\u003ehere\u003c\/a\u003e\u003c\/span\u003e.\u003c\/strong\u003e\n\u003c\/p\u003e\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eEdited by Quentin Bajac, Lucy Gallun, Roxana Marcoci, and Sarah Hermanson Meister. With contributions by Geoffrey Batchen, Michel Frizot, Shelley Rice, and Bonnie Yochelson\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eSince the invention of photography, legions of practitioners have mined its artistic and practical potential, paying particular attention to its novel depiction of space and time, its utility as a tool for documentation and exploration, and its distinctive take on modernism and modernity. This volume explores the ways in which this new medium—photography—and this new apparatus—the camera—evolved during its first century, from the masterworks of William Henry Fox Talbot, one of photography’s inventors, to the portraits of Julia Margaret Cameron, Nadar, and Gertrude Käsebier; the motion studies of Eadweard Muybridge; surveys of landscape and architecture by American and European practitioners; the documentary images of Carleton Watkins, Eugène Atget, and Lewis Hine; and the modernist works of Karl Blossfeldt, Edward Steichen, and Paul Strand.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eThis publication provides a wide-ranging look at a medium so thoroughly and instantly modern that it is represented in MoMA’s collection by works that predate any of the Museum’s paintings or sculptures by a full forty years. And now, more than 175 years later, the modern spirit of early photography remains intact, and \u003cem\u003ePhotography at MoMA: 1840 to 1920\u003c\/em\u003e provides a record of its contradictions, aspirations, and achievements. 416 pp.; 390 illus.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eThis is the first volume in the three-volume Photography at MoMA series, which draws upon the exceptional depth of the Museum's collection to tell a new history of photography. View the other titles in the series: \u003cem\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003ca href=\"https:\/\/store.moma.org\/books\/moma-publications\/photography-at-moma-1920-to-1960\/900013-900013.html\"\u003ePhotography at MoMA: 1920 to 1960\u003c\/a\u003e\u003c\/span\u003e\u003c\/em\u003e and \u003cem\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003ca href=\"https:\/\/store.moma.org\/books\/moma-publications\/photography-at-moma-1960-to-now\/969-969.html\"\u003ePhotography at MoMA: 1960 to Now\u003c\/a\u003e.\u003c\/span\u003e\u003c\/em\u003e\n\u003c\/div\u003e","brand":"MUSEUM OF MODERN ART 700003","offers":[{"title":"Default Title","offer_id":44170111680742,"sku":"1045-900028","price":75.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0623\/7962\/2630\/files\/b073a227-0e27-4828-8521-71749b6e24a1_3072.jpg?v=1736803989"},{"product_id":"robert-gober-the-heart-is-not-a-metaphor-hardcover","title":"Robert Gober: The Heart Is Not a Metaphor - Hardcover","description":"\u003cp\u003e\u003cstrong\u003eTo look inside this book, click \u003cspan style=\"text-decoration: underline;\"\u003e\u003ca href=\"https:\/\/www.moma.org\/momaorg\/shared\/pdfs\/docs\/publication_pdf\/3206\/MoMA_Gober_PREVIEW.pdf?1414421650\"\u003ehere\u003c\/a\u003e\u003c\/span\u003e. \u003c\/strong\u003e\n\u003c\/p\u003e\u003cdiv\u003e \u003c\/div\u003e\nEdited by Ann Temkin. With contributions by Hilton Als, Claudia Carson, Robert Gober, Paulina Pobocha, and Christian Schiedermann\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003ePublished in conjunction with the first large-scale survey exhibition of Robert Gober's art in the United States and prepared in close collaboration with him, \u003cem\u003eRobert Gober: The Heart Is Not a Metaphor\u003c\/em\u003e traces the development of his work, highlighting themes and motifs to which he has returned throughout the decades. The book features an essay by Hilton Als—a text both wide-ranging and personal—and an in-depth narrative of Gober's life. The rich selection of images illustrates every phase of the artist's career, and includes previously unpublished photographs from his own archive. 272 pp.; 264 illus.\u003c\/div\u003e","brand":"MUSEUM OF MODERN ART 700003","offers":[{"title":"Default Title","offer_id":44170112303334,"sku":"946-946","price":22.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0623\/7962\/2630\/files\/96c187b3-8547-4747-a3da-ab8e7bbfa4e7_3072_39e6b29a-e705-49f6-b914-37b792f9d6df.jpg?v=1736804001"},{"product_id":"sanja-ivekovic-sweet-violence-hardcover","title":"Sanja Ivekovic: Sweet Violence - Hardcover","description":"\u003cp\u003eEdited by Roxana Marcoci. With contributions by Roxana Marcoci and Terry Eagleton\n\u003c\/p\u003e\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003ePublished in conjunction with the first solo museum exhibition of the work of Sanja Ivekovic in the United States, this is the most comprehensive survey on the artist available in English. A feminist, activist and video and performance pioneer, Ivekovic came of age in the early 1970s during the period known as the Croatian Spring, when artists broke free from mainstream institutional settings.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eThis catalogue presents an overview of the artist's projects from the early 1970s to 2011 in all mediums, offering a fascinating view of gender roles, the official politics of power and the paradoxes inherent in a society's collective memory. Featured works include Ivekovic's historic single-channel videos, performances and sculptural installations as well as a selection from \u003cem\u003eDouble Life\u003c\/em\u003e (1975–76), her celebrated series of 64 photocollages. Weaving together art-historical analysis and political theory, the publication offers a critical examination of the neo-avant-garde in former Yugoslavia and investigates the theme of violence in art. 192 pp.; 252 illus.\u003c\/div\u003e","brand":"MUSEUM OF MODERN ART 700003","offers":[{"title":"Default Title","offer_id":44170112499942,"sku":"811-811","price":50.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0623\/7962\/2630\/files\/a4f9d762-88a6-4e36-92b6-1b4474695fd0_3072_097661a2-d33d-4911-80b4-12f1c6c834d3.jpg?v=1736804051"},{"product_id":"roots-and-wings-how-shahzia-sikander-became-an-artist-hardcover","title":"Roots and Wings: How Shahzia Sikander Became an Artist - Hardcover","description":"\u003cp\u003e\u003cstrong\u003eFeatured in the Society of Illustrators' \u003cem\u003eThe Original Art 2021\u003c\/em\u003e exhibition\u003c\/strong\u003e\n\u003c\/p\u003e\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eBy Shahzia Sikander and Amy Novesky. Illustrated by Hanna Barczyk\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eGrowing up in Lahore, Pakistan, Shahzia flew kites, ate fruit from jamun trees, and devoured Russian fairy tales, American Westerns, and Bollywood films. She also read poetry in Urdu, her own language, and learned the slow and detailed painting technique of Indo-Persian miniatures. And when she moved far from home to study art, she brought her roots with her.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\n\u003cem\u003eRoots and Wings\u003c\/em\u003e is a deeply personal story about how an artist grows. It is based on the childhood of Shahzia Sikander, one of the most exciting and celebrated artists working today. 40 pp.; illustrated throughout.\u003c\/div\u003e","brand":"MUSEUM OF MODERN ART 700003","offers":[{"title":"Default Title","offer_id":44170112958694,"sku":"900035-900035","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0623\/7962\/2630\/files\/a9915437-affa-4664-acb3-e4b577c68086.jpg?v=1778181874"},{"product_id":"wolfgang-tillmans-to-look-without-fear-hardcover","title":"Wolfgang Tillmans: To look without fear - Hardcover","description":"\u003cp\u003e\n\u003c\/p\u003e\u003cdiv class=\"gs\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv id=\":1g8\" class=\"ii gt\"\u003e\n\u003cdiv id=\":285\" class=\"a3s aiL \"\u003e\n\u003cdiv dir=\"ltr\"\u003e\u003cstrong\u003eNamed one of the Best Photography Books of 2022 by \u003cem\u003eCultured Magazine\u003c\/em\u003e, \u003cem\u003eEl Pais\u003c\/em\u003e, and Vince Aletti\/The International Center of Photography\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv dir=\"ltr\"\u003e \u003c\/div\u003e\n\u003cdiv dir=\"ltr\"\u003eEdited by Roxana Marcoci. With contributions by Quentin Bajac, Yve-Alain Bois, Julia Bryan-Wilson, Clément Chéroux, Durga Chew-Bose, Stuart Comer, Keller Easterling, Paul Flynn, Sophie Hackett, Michelle Kuo, Oluremi C. Onabanjo, Phil Taylor, Wolfgang Tillmans, and Andrew Vielkind\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eA visionary creator and intrepid polymath, Wolfgang Tillmans unites formal inventiveness with an ethical orientation that attends to the most pressing issues of life today. While his work transcends the bounds of any single artistic discipline, he is best known for his wide-ranging photographic output. From trenchant documents of social movements to windowsill still lifes, sensitive portraits to architectural studies, ecstatic images of nightlife to cameraless abstractions, astronomical observations to intimate nudes, he has explored seemingly every genre of photography imaginable, continually experimenting with ways to make new pictures and deepen the viewer’s experience. \u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003ePublished in conjunction with a major exhibition of Tillmans’s work at The Museum of Modern Art, this copiously illustrated volume surveys four decades of the artist’s career. An outstanding group of writers offer diverse essays addressing key aspects of his multifaceted practice, and a new text by Tillmans himself elucidates the distinctive methodology behind his system of presenting photographs. \u003cem\u003eWolfgang Tillmans: To look without fear \u003c\/em\u003e grants readers new insight into the work of an artist who has not only transformed the way photography is exhibited but pointed contemporary art in dynamic new directions. 320 pp.; 400 illus.\u003c\/div\u003e","brand":"MUSEUM OF MODERN ART 700003","offers":[{"title":"Multi \/ One Size","offer_id":44170113908966,"sku":"900111-900111","price":75.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0623\/7962\/2630\/files\/66115943-f0cd-4267-9b85-200fed620c1f_3072_244547bb-87db-46e0-8f91-2e67cb89335a.jpg?v=1704602271"},{"product_id":"walid-raad-hardcover","title":"Walid Raad - Hardcover","description":"\u003cp\u003e\u003cstrong\u003eTo look inside this book, click \u003cspan style=\"text-decoration: underline;\"\u003e\u003ca href=\"https:\/\/www.moma.org\/d\/pdfs\/W1siZiIsIjIwMTgvMDYvMTMvMnJrM3o0MGFzaF9Nb01BX1dhbGlkUmFhZF9QUkVWSUVXLnBkZiJdXQ\/MoMA_WalidRaad_PREVIEW.pdf?sha=bee6f4decb2b2dd3\"\u003ehere\u003c\/a\u003e\u003c\/span\u003e. \u003c\/strong\u003e\n\u003c\/p\u003e\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eNamed one of the top 50 Books of 2015 by Design Observer and the AIGA \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eEdited by Eva Respini. With contributions by Walid Raad and Finbarr Barry Flood\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eWalid Raad is one of the leading artists of his generation and an influential voice in art from the Middle East. His works explore historical, political, economic, and aesthetic facts and fictions related to the Lebanese wars and to \"Arab\" art, and cast doubt on the veracity of photographic and video documentation.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003ePublished to accompany the first comprehensive exhibition of his work in the United States, this catalogue surveys almost three decades of Raad's practice in a variety of mediums—including photography, video, and performance—and features his most momentous bodies of work, such as his long-term projects \u003cem\u003eThe Atlas Group\u003c\/em\u003e (1989–2004) and \u003cem\u003eScratching on things I could disavow\u003c\/em\u003e (2007–ongoing). Essays by curator Eva Respini and scholar Finbarr Barry Flood place Raad's work in the international context of contemporary artmaking, and the book includes a special eighteen-page visual contribution by Raad himself. 192 pp.; 200 illus.\u003c\/div\u003e","brand":"MUSEUM OF MODERN ART 700003","offers":[{"title":"Default Title","offer_id":44170114269414,"sku":"973-973","price":55.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0623\/7962\/2630\/files\/973_a_2ce8665e-378c-48b0-bd50-4704cedf6343.jpg?v=1704280113"},{"product_id":"yoko-ono-one-woman-show-1960-1971-hardcover","title":"Yoko Ono: One Woman Show, 1960–1971 - Hardcover","description":"\u003cp\u003e\u003cstrong\u003eTo look inside this book, click \u003cspan style=\"text-decoration: underline;\"\u003e\u003ca href=\"https:\/\/www.moma.org\/d\/pdfs\/W1siZiIsIjIwMTkvMDcvMjQvMWl3dmlqZXlydl9Nb01BX1lva29Pbm9fUFJFVklFVy5wZGYiXV0\/MoMA_YokoOno_PREVIEW.pdf?sha=cb6390dbc82501c6\"\u003ehere\u003c\/a\u003e\u003c\/span\u003e. \u003c\/strong\u003e\n\u003c\/p\u003e\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eEdited by Klaus Biesenbach and Christophe Cherix. With contributions by Yoko Ono, Julia Bryan-Wilson, Jon Hendricks, Clive Phillpot, David Platzker, Francesca Wilmott, and Midori Yoshimoto\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\n\u003cem\u003eYoko Ono: One Woman Show, 1960–1971\u003c\/em\u003e examines the beginnings of Ono's career, demonstrating her pioneering role in visual art, performance, and music during the 1960s and early 1970s. It begins in 1960, when Ono initiated a performance series with La Monte Young in her New York loft. Over the course of the decade, Ono earned international recognition, staging \u003cem\u003eCut Piece\u003c\/em\u003e in Kyoto, Tokyo, New York, and London, and launching with John Lennon her global campaign \u003cem\u003eWAR IS OVER ! if you want it\u003c\/em\u003e. Ono returned to New York in the early 1970s and organized an unsanctioned \"one woman show\" at MoMA. 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Young Frank likes to use anything he finds—macaroni, pillows, toilet paper, shoes—to make buildings that twist, chairs with zigzag legs, and even entire cities. But Old Frank disapproves, saying architects only create buildings. One day they visit The Museum of Modern Art, where they see work by architects Frank Gehry, Frank Lloyd Wright, and many others.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eOld Frank learns that architects can do more than he thought. The Franks go home and create structures of every shape and size, using whatever they can get their hands on, even cookies. 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Essays by curators and scholars examine her extensive research into altered states of consciousness; the introduction of the Mythic Being—her subversive masculine alter-ego; her media and installation works from after 1980, which reveal and challenge stereotypes of race and gender; and the global conditions that illuminate the significance of her art. Previously unpublished texts by the artist lay out significant events in her personal history and her deeply felt ideas about the relationship between viewer and art object. 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Richly illustrated with stills from his films, this volume is an incisive examination of one of cinema's most fearless and innovative filmmakers. 160 pp.; 65 illus.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\"What a great salute to a true American original—our great scrutinizer, the filmmaker Fred Wiseman. 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