{"title":"30% off Books","description":"","products":[{"product_id":"alfredo-boulton-and-his-contemporaries-critical-dialogues-in-venzuelan-art-1912-1974-paperback","title":"Alfredo Boulton and His Contemporaries: Critical Dialogues in Venezuelan Art, 1912–1974 - Paperback","description":"\u003cp\u003eEdited by Ariel Jiménez. With contributions by Hugo Achugar, Roldán Esteva-Grillet, Elías Pino Iturrieta, Marco Negrón, Luis Pérez-Oramas, Sandra Pinardi, Marco Pintó, and Rafael Castillo Zapata\n\u003c\/p\u003e\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eFor many years, Alfredo Boulton (1908–1995) was Venezuela's foremost cultural and aesthetic observer. An art critic, cultural historian, and photographer, he was highly influential in the development of modernist art and discourse in Venezuela and the surrounding region. Boulton's diverse contributions serve as points of departure in this remarkable selection of critical texts by prominent Latin American thinkers, many of which have been reference points for generations of artists, critics, and art historians. Through the manifestos, correspondences, and critical writings, this anthology traces Venezuela's struggle toward modernity and an identity on the international cultural scene. Newly written critical and explanatory essays by contemporary scholars accompany the historical texts, providing context and insight. 376 pp.; 61 illus.\u003c\/div\u003e","brand":"MUSEUM OF MODERN ART 700003","offers":[{"title":"Default Title","offer_id":44170103750886,"sku":"710-710","price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0623\/7962\/2630\/files\/710_a_fc33035e-58fe-4b2f-a062-63374c81ef46.jpg?v=1736869294"},{"product_id":"alina-szapocznikow-sculpture-undone-1955-1972-paperback","title":"Alina Szapocznikow: Sculpture Undone, 1955–1972 - Paperback","description":"\u003cp\u003eEdited by Elena Filipovic and Joanna Mytkowska. With contributions by Cornelia Butler, Jola Gola, and Allegra Pesenti\n\u003c\/p\u003e\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eA sculptor who began working during the postwar period in a classical figurative style, Alina Szapocznikow radically reconceptualized sculpture as an imprint not only of memory but of her own body. Though her career spanned less than two decades, Szapocznikow left behind a legacy of provocative objects that evoke Surrealism, Nouveau Réalisme, and Pop art. Well-known in Poland, where her work has been highly influential since early in her career, Szapocznikow's compelling body of work is ripe for art-historical reexamination.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\n\u003cem\u003eAlina Szapocznikow: Sculpture Undone, 1955–1972\u003c\/em\u003e offers a comprehensive overview of this important artist's work at a moment when international interest is blossoming. Richly illustrated with over 150 color plates, the catalogue features essays by curators that touch on key aspects of her practice and historical reception, as well as an extensive annotated chronology that provides an in-depth exploration of the intersection of her life and art. 216 pp.; 326 illus.\u003c\/div\u003e","brand":"MUSEUM OF MODERN ART 700003","offers":[{"title":"Default Title","offer_id":44170103849190,"sku":"824-824","price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0623\/7962\/2630\/files\/50845f86-59dc-4113-81ba-e35730f8ccfa_3072_d3597d3f-7e57-4bd5-98db-c4db3a723413.jpg?v=1736803787"},{"product_id":"fernand-leger-artist-series-paperback","title":"Fernand Léger, Artist Series - Paperback","description":"\u003cp\u003eBy Carolyn Lanchner\n\u003c\/p\u003e\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eUnique among the pioneers of modern art, Fernand Léger adopted the trappings of modernity as a primary subject of his work. This newer addition to the MoMA Artist Series features ten paintings selected from The Museum of Modern Art's substantial Léger collection. Together they trace the artist's career, illustrating his early variations on Cubism, his postwar \"mechanical\" period, the influence of film on his approach to representation, and his later celebrations of \"proletarian heroism.\" An essay by Carolyn Lanchner, a former curator of painting and sculpture at the Museum, accompanies each work, illuminating its significance and placing it in its historical moment in the development of modern art. 48 pp.; 35 illus.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eClick \u003cspan style=\"text-decoration: underline;\"\u003e\u003ca href=\"https:\/\/store.moma.org\/books\/featured\/moma-artist-series\"\u003ehere\u003c\/a\u003e\u003c\/span\u003e to see the other titles in the MoMA Artist Series.\u003c\/strong\u003e\u003c\/div\u003e","brand":"MUSEUM OF MODERN ART 700003","offers":[{"title":"Default Title","offer_id":44170103881958,"sku":"786-786","price":9.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0623\/7962\/2630\/files\/786_a_fd69e2cc-71e2-49aa-8cc6-4f5ffc7948a0.jpg?v=1704280129"},{"product_id":"robert-rauschenberg-artist-series-paperback","title":"Robert Rauschenberg, Artist Series - Paperback","description":"\u003cp\u003eBy Carolyn Lanchner\n\u003c\/p\u003e\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eRobert Rauschenberg revolutionized postwar modernism with his experimental approach to the materials and content of art, setting the scene for Pop art, Conceptualism, and other movements that emerged in the 1960s. This book features nine pieces by Rauschenberg selected from The Museum of Modern Art's substantial collection of his work, including early examples of the artist's painting and sculpture, his famous Combines of the 1950s and 1960s, and works on paper and cloth from the late 1950s and 1970s that exemplify his adaptations of printmaking and collage and his embrace of imagery from popular culture. A lively essay by Carolyn Lanchner, a former curator of painting and sculpture at the Museum, accompanies each work, illuminating its significance and placing it in its historical moment in the development of modern art and in Rauschenberg's own life. 48 pp.; 40 illus.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eClick \u003ca href=\"https:\/\/store.moma.org\/books\/featured\/moma-artist-series\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003ehere\u003c\/span\u003e\u003c\/a\u003e to see the other titles in the MoMA Artist Series.\u003c\/strong\u003e\u003c\/div\u003e","brand":"MUSEUM OF MODERN ART 700003","offers":[{"title":"Default Title","offer_id":44170103914726,"sku":"767-767","price":9.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0623\/7962\/2630\/files\/767_a_8685f5c3-64ef-4188-944b-f3018c87aeca.jpg?v=1704280132"},{"product_id":"arbus-friedlander-winogrand-new-documents-1967-hardcover","title":"Arbus, Friedlander, Winogrand: New Documents, 1967 - Hardcover","description":"\u003cp\u003eEdited by Sarah Hermanson Meister. With contributions by Max Kozloff\n\u003c\/p\u003e\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eIn 1967, when Diane Arbus, Lee Friedlander, and Garry Winogrand were still relatively unknown, curator John Szarkowski linked their work indelibly in the groundbreaking exhibition \u003cem\u003eNew Documents\u003c\/em\u003e at The Museum of Modern Art. Although few at the time could have predicted it, \u003cem\u003eNew Documents\u003c\/em\u003e signaled a watershed moment in the history of American photography. What Szarkowski recognized in the three artists was a shared fascination with the commonplace and a novel application of a documentary language to personal expression. \"They like the real world,\" Szarkowksi wrote, \"in spite of its terrors, as the source of all wonder and fascination and value—no less precious for being irrational.\" Their conviction that life's frailties and imperfections are worth examining remains today a premise as vital as when they were first starting out.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eDespite the importance of \u003cem\u003eNew Documents\u003c\/em\u003e for posterity, no catalogue was produced at the time. \u003cem\u003eArbus, Friedlander, Winogrand: New Documents, 1967\u003c\/em\u003e marks the exhibition's 50th anniversary and presents for the first time, in full-page reproductions, the 94 photographs that hung on the walls of MoMA, freshly contextualized with an abundance of archival material. Essays by curator Sarah Hermanson Meister and photographer and critic Max Kozloff, who originally reviewed the exhibition for The Nation in 1967, shed new light on the enduring significance of the exhibition and on the legacy of these three essential artists. 160 pp; 115 illus.\u003c\/div\u003e","brand":"MUSEUM OF MODERN ART 700003","offers":[{"title":"Default Title","offer_id":44170103947494,"sku":"955-955","price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0623\/7962\/2630\/files\/955_a_403afe27-fb9a-4465-9f8e-0889bff0e4ec.jpg?v=1736807206"},{"product_id":"alighiero-boetti-game-plan-hardcover","title":"Alighiero Boetti: Game Plan - Hardcover","description":"\u003cp\u003eEdited by Christian Rattemeyer, Lynne Cooke, and Mark Godfrey. With contributions by Claire Gilman and Jason Smith\n\u003c\/p\u003e\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003ePublished to accompany the first large-scale retrospective of Alighiero Boetti's work outside Italy in over a decade, this volume presents the most comprehensive overview of the artist's career to date. Covering all periods of Boetti's broad oeuvre—including early sculptural experiments associated with Arte Povera, ephemeral Conceptual projects of the 1970s, and monumental embroideries and tapestries fabricated up to his death in 1994—this richly illustrated catalogue brings together leading international critics and curators, each examining a different aspect of Boetti's achievements, together helping to explain why he remains both influential and inspiring nearly two decades after his death. 290 pp.; 140 illus.\u003c\/div\u003e","brand":"MUSEUM OF MODERN ART 700003","offers":[{"title":"Default Title","offer_id":44170104504550,"sku":"819-819","price":50.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0623\/7962\/2630\/files\/5f56f725-9d7d-46cc-bcbe-820655b7ec66_3072_105e2b16-f2e3-44ec-91be-a9018297f048.jpg?v=1736807184"},{"product_id":"boris-charmatz-modern-dance-series-paperback","title":"Boris Charmatz, Modern Dance Series - Paperback","description":"\u003cp\u003eEdited by Ana Janevski. With contributions by Gilles Almavi, Jérôme Bel, Cosmin Costinas, Bojana Cvejic, Tim Etchells, Mark Franko, Gabriella Giannochi, Adrian Heathfield, Noémi Solomon, Peter Tolmie, Christophe Wavelet, and Catherine Wood\n\u003c\/p\u003e\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eBoris Charmatz is one of the key protagonists in recent revolutions in modern dance. Born in 1973 in Chambéry, France, Charmatz made his first splash as a choreographer in 1993 with the radical duet À bras-le-corps, a co-creation with Dimitri Chamblas. But it was his 2009 “Manifesto for a Dancing Museum” and the founding of the sui generis Musée de la danse in Rennes, France, that shot Charmatz to the center of global discussions on how dance might break through the ossification of its twentieth-century institutions—how dance of the twenty-first century might not simply persist, but thrive.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eFeaturing original essays, an interview, and a complete list of Charmatz’s projects, this book is the first to explore the many facets of his career—as choreographer, writer, dancer, and founding director of the Musée de la danse. 160 pp.; 40 illus.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eModern Dance is a series of monographs exploring dance makers in the twenty-first century. Each volume focuses on a single choreographer, presenting a rich collection of newly commissioned texts along with a definitive catalogue of the artist's projects. View the other titles in the series: \u003cem\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003ca href=\"https:\/\/store.moma.org\/books\/exhibition-catalogues\/ralph-lemon-modern-dance-series\/900007-900007.html\"\u003eRalph Lemon\u003c\/a\u003e\u003c\/span\u003e\u003c\/em\u003e and \u003cspan style=\"text-decoration: underline;\"\u003e\u003cem\u003e\u003ca href=\"https:\/\/store.moma.org\/books\/moma-publications\/sarah-michelson-modern-dance-series\/372-900008.html\"\u003eSarah Michelson\u003c\/a\u003e\u003c\/em\u003e\u003c\/span\u003e\u003cem\u003e\u003cu\u003e.\u003c\/u\u003e\u003c\/em\u003e\n\u003c\/div\u003e","brand":"MUSEUM OF MODERN ART 700003","offers":[{"title":"Default Title","offer_id":44170104570086,"sku":"370-900006","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0623\/7962\/2630\/files\/900006_a_2cdc183c-3ad2-425c-8074-4bc36366ac80.jpg?v=1704280124"},{"product_id":"bogdanovic-by-bogdanovic-yugoslav-memorials-through-the-eyes-of-their-architect-hardcover","title":"Bogdanović by Bogdanović: Yugoslav Memorials through the Eyes of Their Architect - Hardcover","description":"\u003cp\u003e\u003cstrong\u003eTo look inside this book, click \u003cspan style=\"text-decoration: underline;\"\u003e\u003ca href=\"https:\/\/www.moma.org\/d\/pdfs\/W1siZiIsIjIwMTkvMDcvMTAvNWhjbDVyd2Fkb19Nb01BX0JvZ2Rhbm92aWNfUFJFVklFVy5wZGYiXV0\/MoMA%20Bogdanovic%20PREVIEW.pdf?sha=90bea7ccea8825bf\"\u003ehere\u003c\/a\u003e\u003c\/span\u003e. \u003c\/strong\u003e\n\u003c\/p\u003e\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eEdited by Vladimir Kulic and Wolfgang Thaler. With contributions by Bogdan Bogdanovic, Vladimir Kulic, and Martino Stierli\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eBogdan Bogdanović (1922–2010) was a Yugoslav architect, theorist, professor, and one-time mayor of Belgrade. His idiosyncratic memorials to the victims and heroes of World War II, scattered around the former Yugoslavia, continue to attract attention today, more than twentyfive years after the country’s collapse. Designed between the early 1950s and late 1970s, these works occupy a unique place in the history of modern architecture, redrawing the boundaries between architecture, landscape, and sculpture in moving and unexpected ways.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eThis book presents Bogdanović’s built oeuvre through nearly fifty color photographs he took soon after the completion of each project. The publication includes an introduction by the architectural historian Vladimir Kulić, a preface by curator Martino Stierli, and a selection of Bogdanović’s own thoughts on photography. Carefully staged and taken with a professional medium-format camera, his photos, many of them previously unpublished, are in themselves works of art. 128 pp.; 55 illus.\u003c\/div\u003e","brand":"MUSEUM OF MODERN ART 700003","offers":[{"title":"Default Title","offer_id":44170104602854,"sku":"900052-900052","price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0623\/7962\/2630\/files\/c631ad78-618d-40f7-882c-4c1265209649_3072.jpg?v=1736802350"},{"product_id":"british-design-moma-design-series-paperback","title":"British Design, MoMA Design Series - Paperback","description":"\u003cp\u003eBy Hugh Aldersey-Williams. With a contribution by Paola Antonelli\n\u003c\/p\u003e\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eAs the birthplace of the Industrial Revolution, Great Britain was the epicenter of the development of modern industrial design. This book—the fourth volume in the MoMA Design Series, featuring works in the Museum's extraordinary collection—explores this legacy, tracing the growth of British design from the eighteenth century to the Millennium Dome and beyond. In its more than two hundred-year scope, \u003cem\u003eBritish Design\u003c\/em\u003e explores Wedgwood pottery, the Arts and Crafts Movement, the Mini car and Dyson vacuum cleaner, the \"Cool Britannia\" cultural explosion in the late 1990s, and British designers' take on the digital devices that define entertainment and communication in the early twenty-first century.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eAn introduction by Paola Antonelli, curator of architecture and design at The Museum of Modern Art, provides an overview of design culture in Great Britain; an essay and timeline by Hugh Aldersey-Williams, author of \u003cem\u003eThe Most Beautiful Molecule\u003c\/em\u003e and \u003cem\u003eNew American\u003c\/em\u003e, illuminate the masterpieces of modern British design superbly reproduced in the volume's plate section. 144 pp.; 105 illus.\u003c\/div\u003e","brand":"MUSEUM OF MODERN ART 700003","offers":[{"title":"Default Title","offer_id":44170104635622,"sku":"781-781","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0623\/7962\/2630\/files\/39ebed3c-2622-41cd-9421-3bd2bd2ddee2_3e6e179b-9c2d-4be5-aebe-d04619df674e.jpg?v=1736803073"},{"product_id":"bodys-isek-kingelez-hardcover","title":"Bodys Isek Kingelez - Hardcover","description":"\u003cp\u003e\u003cstrong\u003eTo look inside this book, click \u003cspan style=\"text-decoration: underline;\"\u003e\u003ca href=\"https:\/\/www.moma.org\/d\/pdfs\/W1siZiIsIjIwMTkvMDcvMTAvMWt0OG8wbmNmYl9Nb01BX0tpbmdlbGV6X1BSRVZJRVcucGRmIl1d\/MoMA%20Kingelez%20PREVIEW.pdf?sha=05746106b722b462\"\u003ehere\u003c\/a\u003e\u003c\/span\u003e. \u003c\/strong\u003e\n\u003c\/p\u003e\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e  Edited by Sarah Suzuki. With contributions by David Adjaye, Chika Okeke-Agulu, Sammy Baloji, and André Magnin\u003c\/div\u003e\n \u003c\/div\u003e\n\u003cdiv\u003eThe visionary artist Bodys Isek Kingelez created utopian propositions for cities in a peaceful and prosperous tomorrow. Born in the Belgian Congo in 1948, Kingelez came of age in a period of tremendous change, as his country evolved in the complex years following Independence. He made his first artworks in the late 1970s in Kinshasa, the capital of the newly renamed nation of Zaire, transforming modest materials—paper, cardboard, plastic, and commercial packaging—into dazzling and intricate sculptures. Inspired in large part by the life and architecture of the capital (where he lived until his death in 2015), his works depict civic buildings, public monuments, national pavilions, and skyscrapers, both singly and combined into fantastical and expansive cities. Kingelez gained international renown through his participation in the landmark 1989 exhibition\u003cem\u003e Magiciens de la terre,\u003c\/em\u003e at the Centre Pompidou, Paris, and his sculptures have since been shown around the world.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003ePublished to accompany an exhibition at The Museum of Modern Art, New York—the first-ever full retrospective of Kingelez’s practice—this catalogue traces the span of the artist’s thirty-year career, from his rarely seen early works to the large-scale cities of his later decades. Featuring stunning new photography, this is the most comprehensive volume on the artist to date. 144 pp.; 90 illus.\u003c\/div\u003e","brand":"MUSEUM OF MODERN ART 700003","offers":[{"title":"Default Title","offer_id":44170104668390,"sku":"900054-900054","price":17.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0623\/7962\/2630\/files\/35829235-13c3-4825-a3ae-2ad2db977b20_3072.jpg?v=1749749117"},{"product_id":"claes-oldenburg-writing-on-the-side-1956-1969-paperback","title":"Claes Oldenburg: Writing on the Side, 1956–1969 - Paperback","description":"\u003cp\u003e\u003cstrong\u003eTo look inside this book, click \u003cspan style=\"text-decoration: underline;\"\u003e\u003ca href=\"https:\/\/www.moma.org\/momaorg\/shared\/pdfs\/docs\/publication_pdf\/3181\/OldenburgWritings_PREVIEW2.pdf?1371592816\"\u003ehere\u003c\/a\u003e\u003c\/span\u003e. \u003c\/strong\u003e\n\u003c\/p\u003e\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eEdited by Achim Hochdörfer, Maartje Oldenburg, Barbara Schröder, and Ann Temkin\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eA central figure of Pop, installation art, and Happenings, Claes Oldenburg redefined art in the 1960s with his landmark environments \u003cem\u003eThe Street\u003c\/em\u003e and \u003cem\u003eThe Store\u003c\/em\u003e, his soft sculptures, and his proposals for colossal monuments. Since his arrival in New York in 1956, Oldenburg's prolific production has always been accompanied by an extensive, daily practice of writing that reveals the conceptual complexity and diversity of his inventive oeuvre.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eComprising the artist's key writings from the late 1950s and the 1960s, this volume makes available a wealth of previously unpublished material, including sections of the diary Oldenburg kept during these formative years, his notes, and facsimiles of sketches that show his abiding interest in the relationship between image and language. Together with statements, essays, scripts for Happenings, and poems, they provide fascinating insights into Oldenburg's creative process. This compilation, the first to be dedicated entirely to Oldenburg's writings, is a unique window into the formation and evolution of one of the most influential and groundbreaking contemporary artists, and is a lively personal account of the tumultuous 1960s. 438 pp.; 110 illus.\u003c\/div\u003e","brand":"MUSEUM OF MODERN ART 700003","offers":[{"title":"Default Title","offer_id":44170104701158,"sku":"870-870","price":39.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0623\/7962\/2630\/files\/870_a_3a0a6dbf-5e0d-43b6-a88b-d405354d56f7.jpg?v=1738169182"},{"product_id":"cezanne-drawing-hardcover","title":"Cézanne Drawing - Hardcover","description":"\u003cp\u003e\u003cstrong\u003eWinner of the Association of American Publisher's 2022 PROSE Award for Best Art Exhibition Catalogue\u003c\/strong\u003e\n\u003c\/p\u003e\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eEdited by Jodi Hauptman and Samantha Friedman. With contributions by Kiko Aebi, Samantha Friedman, Jodi Hauptman, Annemarie Iker, and Laura Neufeld.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e“Drawing is merely the configuration of what you see,” Paul Cézanne wrote, and his practice of drawing, he believed, taught him “to see well.” Cézanne drew almost daily, hiking out into the hills or into dense forests for views of nature; returning repeatedly to subjects close at hand, such as his wife, his son, his own likeness, and the bottles, pitchers, and fruit in his home and studio; and envisioning scenes, both violent and idyllic, from his imagination. The resulting works, in watercolor and pencil, are some of the artist’s most radical, representing with a fresh immediacy the iconic motifs for which he is most recognized: vibrant still lifes, prismatic landscapes, and carefully choreographed bathers.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eAccompanying a major exhibition at The Museum of Modern Art, Cézanne Drawing is a career-spanning appraisal of the artist’s works on paper, tracing the development of his practice, illuminating his themes and subjects, exploring his working methods, and ultimately revealing the essential role drawing played in shaping Cézanne’s vision. 184 pp.; 254 illus.\u003c\/div\u003e","brand":"MUSEUM OF MODERN ART 700003","offers":[{"title":"Default Title","offer_id":44170104766694,"sku":"900126-900126","price":50.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0623\/7962\/2630\/files\/900126_a_71129844-d63f-4cee-8586-abd7005101dc.jpg?v=1704280549"},{"product_id":"bruce-nauman-disappearing-acts-hardcover","title":"Bruce Nauman: Disappearing Acts - Hardcover","description":"\u003cp\u003e \n\u003c\/p\u003e\u003cdiv\u003e\u003cstrong\u003eTo look inside this book, click \u003ca href=\"https:\/\/www.moma.org\/d\/pdfs\/W1siZiIsIjIwMTgvMDgvMjkvN2xxc3U5MHN4Yl9Nb01BX05hdW1hbl9QUkVWSUVXLnBkZiJdXQ\/MoMA%20Nauman%20PREVIEW.pdf?sha=34e7de8ef50b3c03\" target=\"new\"\u003e\u003cu\u003ehere\u003c\/u\u003e\u003c\/a\u003e. \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eChosen by the \u003cem\u003eNew York Times\u003c\/em\u003e as one of the Best Art Books of 2018 \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e \u003c\/div\u003e\nEdited by Kathy Halbreich with Isabel Friedli, Heidi Naef, Magnus Schaefer, and Taylor Walsh. With contributions by Thomas Beard, Briony Fer, Nicolás Guagnini, Kathy Halbreich, Rachel Harrison, Ute Holl, Suzanne Hudson, Julia Keller, Liz Kotz, Ralph Lemon, Glenn Ligon, Catherine Lord, Roxana Marcoci, Magnus Schaefer, Felicity Scott, Martina Venanzoni, Taylor Walsh, Jeffrey Weiss \u003c\/div\u003e\n \n\u003cdiv\u003eBruce Nauman is widely acknowledged as a central figure in contemporary art, and the stringent questioning of values–both aesthetic and moral—that has long sustained his project remains urgent today. For more than fifty years, Nauman has explored how mutable experiences of time, space, sound, movement, and language provide an insecure foundation for our understanding of our place in the world.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eThis richly illustrated catalogue, which includes rare and previously unpublished images, offers a comprehensive view of the artist's work in all media—including drawings; early fiberglass sculptures; sound environments; architecturally scaled, participatory constructions; rhythmically blinking neons; and a recent 3-D video that harks back to one of Nauman's earliest performances. A wide range of authors—artists, curators, and historians of art, architecture, and film—focus on topics that have been largely neglected, such as the architectural structures that posit real or imaginary spaces as models for ethical inquiry and mechanisms of control. Curator Kathy Halbreich's introductory essay explores Nauman's many acts of disappearance, withdrawal, and deflection as revelatory of his central formal and intellectual concerns. Eighteen further contributions tease out the various themes that run through this protean and elusive artist's work. 356 pp.; 250 illus.\u003c\/div\u003e","brand":"MUSEUM OF MODERN ART 700003","offers":[{"title":"Default Title","offer_id":44170104799462,"sku":"900031-900031","price":37.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0623\/7962\/2630\/files\/900031_a_fc199d2d-efbe-4a75-b1c1-2b57153a996b.jpg?v=1704280128"},{"product_id":"club-57-film-performance-and-art-in-the-east-village-1978-1983-hardcover","title":"Club 57: Film, Performance, and Art in the East Village, 1978–1983 - Hardcover","description":"\u003cp\u003e\u003cstrong\u003eTo look inside this book, click \u003cspan style=\"text-decoration: underline;\"\u003e\u003ca href=\"https:\/\/www.moma.org\/d\/pdfs\/W1siZiIsIjIwMTgvMDgvMjkvMjF0bmZxeDE2bV9Nb01BX0NsdWJfNTdfUFJFVklFVy5wZGYiXV0\/MoMA%20Club%2057%20PREVIEW.pdf?sha=1b8c5b30e22c6afd\"\u003ehere\u003c\/a\u003e\u003c\/span\u003e. \u003c\/strong\u003e\n\u003c\/p\u003e\u003cdiv\u003e \u003c\/div\u003e\nEdited by Ron Magliozzi and Sophie Cavoulacos. With contributions by J. Hoberman, Jenny Schlenzka, Laura Hoptman, Lucy Gallun, and Ann Magnuson\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eNew York's East Village was alive with artistic activity in the 1970s and '80s, fueled by low rents, resistance to the Reagan presidency, and the desire to experiment with new modes of art, performance, fashion, music, and exhibition. Club 57, located in the basement of a Polish church at 57 St. Marks Place, began as a no-budget venue for music and film exhibitions and quickly became a center of the neighborhood's constellation of countercultural venues, with artists such as Keith Haring, Ann Magnuson, Klaus Nomi, Tseng Kwong Chi, John Sex, Fab 5 Freddy, John \"Lypsinka\" Eppperson, and Lisa Baumgardner. Fabled but not widely known until now, Club 57 is said to have influenced virtually every club that came in its wake. \u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003ePublished to accompany the first major exhibition to examine this scene-changing alternative space in full, \u003cem\u003eClub 57: Film, Performance, and Art in the East Village, 1978–1983\u003c\/em\u003e features rarely seen artwork, film stills, photographs, posters, flyers, and zines to create a uniquely detailed portrait of unbridled creativity before the dawn of the digital age. 176 pp.; 225 illus.\u003c\/div\u003e","brand":"MUSEUM OF MODERN ART 700003","offers":[{"title":"Default Title","offer_id":44170104864998,"sku":"9781633450301-900030","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0623\/7962\/2630\/files\/900030_a_f7d68ac4-a501-486f-b4ab-8e1ffff0a9a4.jpg?v=1704280127"},{"product_id":"wait-later-this-will-be-nothing-editions-by-dieter-roth-paperback","title":"Wait, Later This Will Be Nothing: Editions by Dieter Roth - Paperback","description":"\u003cp\u003e Edited by Sarah Suzuki. With contributions by Brenna Campbell, Scott Gerson, and Lynda Zycherman\n\u003c\/p\u003e\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eDieter Roth's wildly inventive artistic practice encompassed everything from painting and sculpture to film and video. It is, arguably, through his editioned works—books, prints, and multiples—that he made his most important contributions. These experimental editions include literature sausages, filled with ground-up books, newspapers, or magazines in place of meat; prints made with pudding, fruit juice, and other organic materials in lieu of ink; plastic toys mired in chocolate; and a dazzling array of variations on printed postcards.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003ePublished in conjunction with an exhibition at The Museum of Modern Art, and focusing on the prolific period between 1960 and 1972, this volume highlights Roth's most exciting and innovative projects. An essay by Sarah Suzuki, associate curator in the Department of Drawing and Prints, uses \u003cem\u003eSnow\u003c\/em\u003e (1964\/1969), a complex book-sculpture, as a touchstone from which to investigate Roth's iconography, technical innovations, use of language, and relationships to other artists. A conservation essay explores preservation issues around Roth's works and addresses larger concerns about the challenges of conserving contemporary art and organic materials. 96 pp.; 102 illus.\u003c\/div\u003e","brand":"MUSEUM OF MODERN ART 700003","offers":[{"title":"Default Title","offer_id":44170104963302,"sku":"850-850","price":17.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0623\/7962\/2630\/files\/850_a_1f5baf7c-0caa-45b8-972c-6858cadd81a5.jpg?v=1704280123"},{"product_id":"french-moma-contemporary-highlights-pb","title":"French  MoMA Contemporary Highlights (PB)","description":"\u003cp\u003e\u003cb\u003e250 Works since 1980 from The Museum of Modern Art, New York\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eAt the core of The Museum of Modern Art's new building in Midtown Manhattan are dramatic and expansive new galleries devoted to showcasing the Museum's world-famous collection of international contemporary art. Contemporary Highlights presents this impressive collection in pocket size. This new handbook is a guide to the Museum's contemporary collection, featuring curators' selections of the most significant artworks of the past twenty-five years. As a companion to Modern Highlights or on its own, Contemporary Highlights is an indispensable publication for those interested in the development of contemporary art and the collection of The Museum of Modern Art. Includes 250 illustrations (200 color, 50 b\u0026amp;w).\u003c\/p\u003e","brand":"MUSEUM OF MODERN ART 700003","offers":[{"title":"Default Title","offer_id":44170105192678,"sku":"756-756","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0623\/7962\/2630\/files\/756_a_a45e9aa7-bb79-4e80-8dd2-debb928d23be.jpg?v=1736807469"},{"product_id":"douglas-gordon-timeline-hardcover","title":"Douglas Gordon: Timeline - Hardcover","description":"\u003cp\u003eEdited by Klaus Biesenbach\n\u003c\/p\u003e\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eThroughout his career, Douglas Gordon has engaged in an ongoing reflection on the motion picture. By altering and recontextualizing familiar and popular films in order to throw into high relief the relationship between film, memory, and identity, Gordon examines the relationship between movies and our perception of them, and, effectively, sculpts time itself.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eAccompanying the exhibition that focused on Douglas Gordon's filmic work, this book is an extended meditation on the interwoven themes of film, psychoanalysis, and cultural and global events, and the way in which all of these have affected the idea of individual biography. It explores the idea of the collective and the personal through a collaboration with the artist: a series of iconic images of events from the past forty years (a nod to Gordon's birth date of 1966) that deal with the idea of visual memory and shared visual knowledge. 304 pp.; 334 illus.\u003c\/div\u003e","brand":"MUSEUM OF MODERN ART 700003","offers":[{"title":"Default Title","offer_id":44170105225446,"sku":"390-390","price":50.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0623\/7962\/2630\/files\/390_a_5eb0de4e-dd58-471f-be8e-5fdba98b6013.jpg?v=1704280115"},{"product_id":"counter-space-design-and-the-modern-kitchen-hardcover","title":"Counter Space: Design and the Modern Kitchen - Hardcover","description":"\u003cp\u003e\u003cspan class=\"example1\"\u003eEdited by Juliet Kinchin. With a contribution by Aidan O'Connor\u003c\/span\u003e\n\u003c\/p\u003e\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"example1\"\u003eOver the course of the past century, the kitchen, more than any other room in the modern dwelling, has been the focus of intensive aesthetic and technological innovation. \u003cem\u003eCounter Space\u003c\/em\u003e examines the twentieth-century transformation of the kitchen through the collection of The Museum of Modern Art, featuring a wide variety of design objects, architectural plans, posters, archival photographs, and artworks ranging from the iconic Frankfurt Kitchen, mass-produced for German public housing estates in the aftermath of World War I, to an electric tea kettle, heat-resistant glass wares, and colorful plastics such as Tupperware and Japanese artificial food. This volume is a lively exploration of the kitchen as a barometer of changing technology, aesthetics, and ideologies. 88 pp.; 75 illus.\u003c\/span\u003e\u003c\/div\u003e","brand":"MUSEUM OF MODERN ART 700003","offers":[{"title":"Default Title","offer_id":44170105258214,"sku":"808-808","price":24.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0623\/7962\/2630\/files\/808_a_e712842f-6144-45f1-a728-10fc09613874.jpg?v=1704232555"},{"product_id":"design-and-violence-hardcover","title":"Design and Violence - Hardcover","description":"\u003cp\u003e\u003cstrong\u003eTo look inside this book, click \u003cspan style=\"text-decoration: underline;\"\u003e\u003ca href=\"https:\/\/www.moma.org\/d\/pdfs\/W1siZiIsIjIwMTgvMDYvMTMvMjB4Zjd3OTU5MV9Nb01BX0Rlc2lnbkFuZFZpb2xlbmNlX1BSRVZJRVcucGRmIl1d\/MoMA_DesignAndViolence_PREVIEW.pdf?sha=bf111d13ae278e06\"\u003ehere\u003c\/a\u003e\u003c\/span\u003e. \u003c\/strong\u003e\n\u003c\/p\u003e\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eEdited by Paola Antonelli and Jamer Hunt\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eDesign has a history of violence, yet professional discourse around design has been dominated by voices that only trumpet its commercial and aesthetic successes. Violence, defined here as the manifestation of the power to alter circumstances against the will of others and to their detriment, has always been ubiquitous, and in recent years technology has introduced dramatic new threats. \u003cem\u003eDesign and Violence\u003c\/em\u003e sheds light on the complex impact of design on the built environment and on everyday life, as well as on the forms of violence in contemporary society.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003ePublished to accompany an online experiment launched by The Museum of Modern Art in 2013, this book brings together controversial, provocative, and compelling design projects with leading voices from the fields of art and design, science, law, criminal justice, ethics, finance, journalism, and social justice. Each author responds to one object—ranging from an AK-47 to a Euthanasia Rollercoaster, from plastic handcuffs to the Stuxnet digital virus—sparking dialogue, reflection, and debate. These experimental and wide-ranging conversations make \u003cem\u003eDesign and Violence\u003c\/em\u003e an invaluable resource for lively discussions and classroom curricula. 232 pp.; 200 illus.\u003c\/div\u003e","brand":"MUSEUM OF MODERN ART 700003","offers":[{"title":"Default Title","offer_id":44170105356518,"sku":"968-968","price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0623\/7962\/2630\/files\/968_a_0069d488-b9cc-4a31-94f5-32d929e280f7.jpg?v=1704232609"},{"product_id":"engineer-agitator-constructor-the-artist-reinvented-1918-1939-the-merrill-c-berman-collection-at-moma-hardcover","title":"Engineer, Agitator, Constructor: The Artist Reinvented, 1918–1939—The Merrill C. Berman Collection at MoMA - Hardcover","description":"\u003cp\u003e\u003cstrong\u003eTo look inside this book, click \u003ca href=\"https:\/\/www.moma.org\/d\/pdfs\/W1siZiIsIjIwMjEvMDMvMTEvMWk1c3lsNHhxN19Nb01BX0VuZ2luZWVyQWdpdGF0b3JDb25zdHJ1Y3Rvcl9QUkVWSUVXLnBkZiJdXQ\/MoMA_EngineerAgitatorConstructor_PREVIEW.pdf?sha=95229b2ce1947ac9\" target=\"new\"\u003e\u003cu\u003ehere\u003c\/u\u003e\u003c\/a\u003e.\u003c\/strong\u003e\n\u003c\/p\u003e\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eEdited by Jodi Hauptman and Adrian Sudhalter. With contributions by Jenny Anger, Barbora Bartunkova, Barry Bergdoll, Benjamin Buchloh, Jane Cavalier, Masha Chlenova, Jean-Louis Cohen, Olivia Crough, Lee Ann Daffner, Noam Elcott, Katie Farris, Devin Fore, Maria Gough, Ilya Kaminsky, William Kentridge, Christina Kiaer, Juliet Kinchin, Iva Knobloch, Juliet Koss, Megan Luke, Ellen Lupton, Erika Mosier, Chris McGlinchey, Laura Neufeld, Libby Otto, Kristin Romberg, Jeffrey Schnapp, Martino Stierli, Jenny Tobias, Robert Wiesenberger, and Andrés Zervigón\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\"We regarded ourselves as engineers, we maintained that we were building things.\" So recalled the German artist Hannah Höch, describing a radically new approach to artmaking in the interwar period that coincided with momentous shifts in industry, technology, and labor; watershed events such as World War I and the Russian Revolution; and the rise of fascism. Foregrounding innovators like Marianne Brandt, John Heartfield, Liubov Popova, and Aleksandr Rodchenko, \u003cem\u003eEngineer, Agitator, Constructor\u003c\/em\u003e examines the ambition to create new and dynamic art for a new world, an effort that still resonates today.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\n\u003cem\u003eEngineer, Agitator, Constructor\u003c\/em\u003e celebrates the recent transformative addition to MoMA's holdings from the Merrill C. Berman Collection, one of the great collections of early-twentieth-century art and design. Essays by eminent scholars, conservators, artists, and poets consider the era's revolutionary art forms, such as photomontage and the New Typography; the essential role of women in the avant-garde; and the networks linking these artists across geographic and ideological borders. 312 pp.; 344 illus.\u003c\/div\u003e","brand":"MUSEUM OF MODERN ART 700003","offers":[{"title":"Default Title","offer_id":44170105389286,"sku":"900108-900108","price":75.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0623\/7962\/2630\/files\/900108_a_72195f37-a078-413f-86f2-973c871e4ea7.jpg?v=1704233060"},{"product_id":"felix-feneon-the-anarchist-and-the-avant-garde-hardcover","title":"Félix Fénéon: The Anarchist and the Avant-Garde - Hardcover","description":"\u003cp\u003e\u003cstrong\u003eTo look inside this book, click \u003ca href=\"https:\/\/www.moma.org\/d\/pdfs\/W1siZiIsIjIwMjAvMDMvMjAvM2hmYmg2OTl5MF9Nb01BX0ZlbmVvbl9QUkVWSUVXLnBkZiJdXQ\/MoMA%20Feneon%20PREVIEW.pdf?sha=73ba75d5d44099fc\" target=\"new\"\u003e\u003cu\u003ehere\u003c\/u\u003e\u003c\/a\u003e.\u003c\/strong\u003e\n\u003c\/p\u003e\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eFinalist for the Association of American Publisher's 2021 PROSE Award for Best Art Exhibition Catalogue\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\nEdited by Starr Figura, Isabelle Cahn, and Philippe Peltier. With contributions by by Cécile Bargues, Yaelle Biro, Anna Blaha, Megan Fontanella, Claudine Grammont, Joan U. Halperin, Charlotte Hellman, Béatrice Joyeux-Prunel, Patricia Leighten, Léa Saint-Raymond, Élodie Vaudry, and Marnin Young\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eEnigmatic, unassuming, and always working discreetly behind the scenes, Félix Fénéon had a profound influence on the development of modern art. As a young critic in the burgeoning art and literary scene of 1880s Paris, Fénéon was an early and ardent champion of the Neo-Impressionists. As an editor, art dealer, and publisher, he went on to promote and exhibit artists such as Pierre Bonnard, Henri Matisse, and the Italian Futurists, carving out a place for them among the Parisian avant-gardes of the first decades of the twentieth century. Fénéon was one of the earliest European collectors of art from Africa, Oceania, and the Americas, and he amassed a legendary collection of these objects as well as paintings and drawings by his artist friends. All of his activities were influenced by his fervent anarchism and his belief that art could play a fundamental role in the formation of a more harmonious, egalitarian world. Fénéon habitually shunned the spotlight, and he deliberately left few records behind when he died. Nonetheless, he is represented prominently in the collection of The Museum of Modern Art in a dazzling 1890 portrait by his lifelong friend Paul Signac. The painting is featured in this volume and in the exhibition it accompanies, the centerpiece in an array of essays, artworks, and ephemera gathered to illuminate the life of this little-known but fascinating figure. 256 pp.; 228 illus.\u003c\/div\u003e","brand":"MUSEUM OF MODERN ART 700003","offers":[{"title":"Default Title","offer_id":44170105422054,"sku":"900101-900101","price":32.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0623\/7962\/2630\/files\/900101_a_c8f176da-b3f4-430f-a0c0-c1b53e5e993c.jpg?v=1704281098"},{"product_id":"el-abuelo-y-la-biblioteca-como-charles-white-aprendio-a-pintar-hardcover","title":"El abuelo y la biblioteca: Cómo Charles White aprendió a pintar - Hardcover","description":"\u003cp\u003eBy C. Ian White\n\u003c\/p\u003e\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eThis charming children's book follows the young Charles White as he goes to the library every day to look at picture books and watch the people around him. Later he draws what he has seen on scraps of paper. Over time he learns to be patient and observant, and, by watching art students painting in the park, he learns how to mix and use oil paints. As he grows up, Charles creates powerful portraits of the figures he sees and admires—of his family as well as of African American musicians, thinkers, scientists, and civil rights leaders. By telling his own stories and those of others, he becomes an artist.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eWritten and illustrated by his son, C. Ian White, and featuring full-color reproductions of Charles White's own artworks, this deeply personal story traces the childhood influences that inspired young Charles to become an artist and a teacher. 40 pp.; illustrations throughout.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eAvailable in \u003cspan style=\"text-decoration: underline;\"\u003e\u003ca href=\"https:\/\/store.moma.org\/prints-artists\/artist-products\/grandpa-and-the-library-how-charles-white-learned-to-paint---hardcover\/900065-900065.html\"\u003eEnglish\u003c\/a\u003e\u003c\/span\u003e.\u003c\/div\u003e","brand":"MUSEUM OF MODERN ART 700003","offers":[{"title":"Default Title","offer_id":44170105487590,"sku":"900073-900073","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0623\/7962\/2630\/files\/900073_a_691bd26b-eba1-491f-8966-0e4eb2032af8.jpg?v=1704232836"},{"product_id":"from-bauhaus-to-buenos-aires-grete-stern-horacio-coppola-hardcover","title":"From Bauhaus to Buenos Aires: Grete Stern \u0026 Horacio Coppola - Hardcover","description":"\u003cp\u003e\u003cstrong\u003eTo look inside this book, click \u003cspan style=\"text-decoration: underline;\"\u003e\u003ca href=\"https:\/\/www.moma.org\/d\/pdfs\/W1siZiIsIjIwMTgvMDYvMTMvcGltbTlxNXgxX01vTUFfU3Rlcm5Db3Bwb2xhX1BSRVZJRVcucGRmIl1d\/MoMA_SternCoppola_PREVIEW.pdf?sha=58ac5cd3122db1fd\"\u003ehere\u003c\/a\u003e\u003c\/span\u003e. \u003c\/strong\u003e\n\u003c\/p\u003e\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eEdited by Roxana Marcoci and Sarah Hermanson Meister. With contributions by Jodi Roberts\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003ePublished to accompany the first US museum exhibition of the work of German-born Grete Stern and Argentinean Horacio Coppola, \u003cem\u003eFrom Bauhaus to Buenos Aires\u003c\/em\u003e explores the individual accomplishments and parallel developments of two of the foremost practitioners of avant-garde photography in Europe and Latin America. The book traces their artistic evolution from the late 1920s, when Stern established a pioneering commercial studio, ringl + pit, with her friend Ellen (Rosenberg) Auerbach, and Coppola began groundbreaking experimentations with photography in his native Argentina, to their joint studies at the Bauhaus and travels through Europe in the early 1930s, through the mid-1950s, by which time they had firmly established the foundations of modern photography in Buenos Aires.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eFeaturing a selection of newly translated original texts by Stern and Coppola, and essays by curators Roxana Marcoci and Sarah Hermanson Meister and scholar Jodi Roberts, \u003cem\u003eFrom Bauhaus to Buenos Aires\u003c\/em\u003e is the first publication in English to examine the critical intersections that defined the notable careers of these two influential artists. 256 pp.; 140 illus.\u003c\/div\u003e","brand":"MUSEUM OF MODERN ART 700003","offers":[{"title":"Default Title","offer_id":44170105553126,"sku":"961-961","price":60.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0623\/7962\/2630\/files\/f1bcd353-0230-4123-bb58-366ecc31cc91_052a7d57-18ae-48c6-967f-88308a5aa73b.jpg?v=1736803760"},{"product_id":"fotoclubismo-brazilian-modernist-photography-and-the-foto-cine-clube-bandeirante-1946-1964-hardcover","title":"Fotoclubismo: Brazilian Modernist Photography and the Foto-Cine Clube Bandeirante, 1946–1964 - Hardcover","description":"\u003cp\u003eEdited by Sarah Hermanson Meister\n \n\u003c\/p\u003e\u003cdiv\u003ePublished in conjunction with the first major museum exhibition of Brazilian modernist photography outside of Brazil, \u003cem\u003eFotoclubismo\u003c\/em\u003e presents the groundbreaking creative achievements of the Foto-Cine Clube Bandeirante, an amateur photography club founded in São Paulo in 1939. The vast majority of FCCB members pursued photography as a hobby: they spent their days as businessmen, accountants, journalists, or engineers, but their artistic ambitions were considerable and their work stands out alongside better-known contemporary experimentations. The Bandeirantes played a leading role in the international photography-club circuit in the decades following. World War II, and although their pictures won prizes on six continents, they are essentially unknown to European and North American audiences today.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\n\u003cem\u003eFotoclubismo's\u003c\/em\u003e 140 tritone plates faithfully capture the FCCB's striking photographic statements. Situating the FCCB within the broader art scene in postwar Brazil as well as within a dynamic network of photographers around the world, curator Sarah Hermanson Meister challenges us to confront our aesthetic biases and reconsider our attitudes toward the amateur. This lavishly-illustrated volume is the first publication outside Brazil to celebrate the extraordinary photography that emerged in São Paulo during a singularly vibrant era. 184 pp.; 200 illus.\u003c\/div\u003e","brand":"MUSEUM OF MODERN ART 700003","offers":[{"title":"Default Title","offer_id":44170109616358,"sku":"900084-900084","price":22.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0623\/7962\/2630\/files\/0f5284cb-b385-401d-a59c-b17eddfa9dad_3072.jpg?v=1751058945"},{"product_id":"home-delivery-fabricating-the-modern-dwelling-hardcover","title":"Home Delivery: Fabricating the Modern Dwelling - Hardcover","description":"\u003cp\u003eEdited by Barry Bergdoll and Peter Christensen. With contributions by Barry Bergdoll, Ken Tadashi Oshima, and Rasmus Wærn\n\u003c\/p\u003e\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eToday, with the digital revolution reorganizing the relationship between the drafting board and the factory, prefabrication continues to spur innovative manufacturing and imaginative design, and its potential is not yet fulfilled. But the mass-produced, factory-made home has had a distinguished history, serving as a vital precept in the development of modern architecture. \u003cem\u003eHome Delivery\u003c\/em\u003e traces this history, from its early roots in colonial cottages to the work of such figures as Thomas Edison, Marcel Breuer, Jean Prouvé, and Buckminster Fuller, and concludes in the present-day with a group of contemporary houses commissioned specifically for the MoMA exhibition that this book accompanies. 248 pp.; 250 illus.\u003c\/div\u003e","brand":"MUSEUM OF MODERN ART 700003","offers":[{"title":"Default Title","offer_id":44170109649126,"sku":"733-733","price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0623\/7962\/2630\/files\/733_a_71723cc2-ddfe-4b4f-afb9-6a06b6d6a9da.jpg?v=1736869127"},{"product_id":"ileana-sonnabend-ambassador-for-the-new-hardcover","title":"Ileana Sonnabend: Ambassador for the New - Hardcover","description":"\u003cp\u003e Edited by Ann Temkin and Claire Lehmann. With contributions by Ann Temkin and Leslie Camhi\n\u003c\/p\u003e\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eDuring a career spanning half a century, Ileana Sonnabend (1914–2007) helped shape the course of postwar art in Europe and North America. A legendary gallerist and collector, Sonnabend was renowned for her ambassadorial role in bringing new art across the Atlantic, and was instrumental in introducing American Pop art and Minimalism to Europe and Italian Arte Povera to the United States. She also sought out and supported some of the most challenging Conceptual, new-media, and performance-based art of the 1970s.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eThis book includes works by forty-one artists, including Vito Acconci, John Baldessari, Mel Bochner, Jasper Johns, Jeff Koons, Mario Merz, Robert Morris, Robert Rauschenberg, and Andy Warhol. \u003cem\u003eIleana Sonnabend: Ambassador for the New\u003c\/em\u003e reveals the astounding scope of Sonnabend's taste and salutes her commitment to introducing groundbreaking art to the public. 172 pp.; 110 illus.\u003c\/div\u003e","brand":"MUSEUM OF MODERN ART 700003","offers":[{"title":"Default Title","offer_id":44170109681894,"sku":"896-896","price":14.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0623\/7962\/2630\/files\/423bcbf8-a291-4493-9539-0a97789d32de_3072_4f886362-7ee8-450d-92c1-58570f50f467.jpg?v=1749749176"},{"product_id":"hurry-up-and-wait-hardcover","title":"Hurry Up and Wait - Hardcover","description":"\u003cp\u003e\u003cstrong\u003eTo look inside this book, click \u003cspan style=\"text-decoration: underline;\"\u003e\u003ca href=\"https:\/\/www.moma.org\/d\/pdfs\/W1siZiIsIjIwMTgvMDYvMTMvOTJtdXdqaDYxcV9Nb01BX0h1cnJ5VXBhbmRXYWl0X1BSRVZJRVcucGRmIl1d\/MoMA_HurryUpandWait_PREVIEW.pdf?sha=00769da7c9712475\"\u003ehere\u003c\/a\u003e\u003c\/span\u003e. \u003c\/strong\u003e\n\u003c\/p\u003e\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eBy Maira Kalman, and Daniel Handler\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\n\u003cem\u003eHurry Up and Wait\u003c\/em\u003e, the second volume in a series of collaborations between the artist Maira Kalman, the writer Daniel Handler (a.k.a. Lemony Snicket), and The Museum of Modern Art, shows people striding forth, dashing across streets, and jumping over puddles, while others daydream on park benches and linger on sidewalks with friends. This follow-up to the critically acclaimed \u003cem\u003eGirls Standing on Lawns\u003c\/em\u003e contains important photographs from MoMA's collection, by Lee Friedlander, Dorothea Lange, Garry Winogrand, Helen Levitt, Stephen Shore, Rudy Burckhardt, Philip-Lorca diCorcia, Henri Cartier-Bresson, Yves Klein, and Walker Evans, among others. Ten vibrant new paintings by Kalman—inspired by the photographs—and Handler's elegant prose together ponder the merits of action and contemplation, making Hurry Up and Wait a spirited reflection on the daily rhythms of life. 64 pp.; 48 illus.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eView the other titles in the series: \u003cem\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003ca href=\"https:\/\/store.moma.org\/books\/moma-publications\/girls-standing-on-lawns\/908-908.html\"\u003eGirls Standing on Lawns\u003c\/a\u003e\u003c\/span\u003e\u003c\/em\u003e and\u003cspan style=\"text-decoration: underline;\"\u003e\u003cem\u003e\u003ca href=\"https:\/\/store.moma.org\/books\/exhibition-catalogues\/weather-weather---hardcover\/900014-900014.html\"\u003e Weather, Weather\u003c\/a\u003e.\u003c\/em\u003e\u003c\/span\u003e\n\u003c\/div\u003e","brand":"MUSEUM OF MODERN ART 700003","offers":[{"title":"Default Title","offer_id":44170109976806,"sku":"959-959","price":15.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0623\/7962\/2630\/files\/d55797a9-cbac-4262-b866-8441bf901e95_530cb817-723b-40a2-8182-4a4ea40466d7.jpg?v=1736804100"},{"product_id":"ibrahim-el-salahi-prison-notebook-paperback","title":"Ibrahim El-Salahi: Prison Notebook - Paperback","description":"\u003cp\u003eEdited by Salah Hassan\n\u003c\/p\u003e\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eSudanese artist, writer, critic, and cultural diplomat Ibrahim El-Salahi (born 1930) is one of the critical figures of African and Arabic modernism. While serving as Sudan’s Undersecretary of Culture in 1975, El-Salahi was imprisoned without trial and endured six months of deprivation in the notorious Cooper (now Kober) Prison. During a period of house arrest that followed, he exorcised his experience in \u003cem\u003ePrison Notebook\u003c\/em\u003e, an intensely personal work that is both a major historical document and a masterpiece of drawing, its pages filled with remarkable pen-and-ink drawings that demonstrate the artist’s graphic mastery. \u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eThis bilingual English-Arabic volume, published by The Museum of Modern Art and the Sharjah Art Foundation, comprises a facsimile of the \u003cem\u003ePrison Notebook\u003c\/em\u003e (recently acquired by MoMA); an English translation of its prose; a contextualizing essay by art historian Salah Hassan that addresses the social and political milieu in which it was produced; and contemporary commentary by the artist. 148 pp.; 76 illus.\u003c\/div\u003e","brand":"MUSEUM OF MODERN ART 700003","offers":[{"title":"Default Title","offer_id":44170110009574,"sku":"900055-900055","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0623\/7962\/2630\/files\/eab09b89-fda1-4f3b-838f-083e7b4b1cb6_3072.jpg?v=1736806845"},{"product_id":"impressions-from-south-africa-1965-to-now-prints-from-the-museum-of-modern-art-paperback","title":"Impressions from South Africa, 1965 to Now: Prints from The Museum of Modern Art - Paperback","description":"\u003cp\u003eBy Judith B. Hecker\n\u003c\/p\u003e\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003ePrintmaking, with its flexible formats, portability, relative affordability, and collaborative environment, was a catalyst in the exchange of ideas and the articulation of political resistance during the oppressive years of apartheid rule in South Africa. This volume presents prints by twenty-nine artists and organizations from the collection of The Museum of Modern Art that demonstrate the unusual reach, range, and impact of printmaking in a country during and after a period of political upheaval. From the earliest print, a 1965 linoleum cut by Azaria Mbatha, to recent works that investigate a multiplicity of themes in the wake of apartheid, these works are striking examples of prints as tools for social and political expression.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eFeaturing an introduction by Judith B. Hecker, this volume includes a chronology of relevant political and cultural events in South Africa, as well as short biographies of the artists, publishers, and printers whose work reflected the country's movement toward democracy and the changing society that has followed its attainment. 96 pp.; 72 illus.\u003c\/div\u003e","brand":"MUSEUM OF MODERN ART 700003","offers":[{"title":"Default Title","offer_id":44170110042342,"sku":"90756-90756","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0623\/7962\/2630\/files\/90756_a_ba0c5058-c883-4c87-8491-68172fb83fe2.jpg?v=1736807784"},{"product_id":"robert-rauschenberg-thirty-four-drawings-for-dante-s-inferno-paperback","title":"Robert Rauschenberg: Thirty­-Four Drawings For Dante’s Inferno - Paperback","description":"\u003cp\u003e\u003cstrong\u003eTo look inside this book, click \u003cspan style=\"text-decoration: underline;\"\u003e\u003ca href=\"https:\/\/www.moma.org\/d\/pdfs\/W1siZiIsIjIwMTgvMDYvMTMvMzV6eHBscHM1cl9Nb01BX1JhdXNjaGVuYmVyZ19JbmZlcm5vX1BSRVZJRVcucGRmIl1d\/MoMA_Rauschenberg_Inferno_PREVIEW.pdf?sha=71113caa052c7a2f\"\u003ehere\u003c\/a\u003e\u003c\/span\u003e. \u003c\/strong\u003e\n\u003c\/p\u003e\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eIntroduction by Leah Dickerman. With contributions by Kevin Young and Robin Coste Lewis\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eBetween 1958 and 1960 Robert Rauschenberg (1925–2008) produced a series of 34 drawings one for each Canto or section of Dante’s poem \u003cem\u003eThe Inferno\u003c\/em\u003e (1308–1321). Together they are a virtual encyclopedia of modern­day imagery made by transferring photographic reproductions from magazines or newspapers onto the drawing surface. “I think a picture is more like the real world when it’s made out of the real world,” Rauschenberg said. With additional imagery in pencil crayon pastel and collage the drawings reflect Rauschenberg’s desire to infiltrate his art with the scenes and sounds of the surrounding world a radical departure from the more transcendent ambitions of Abstract Expressionism.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003ePublished by MoMA in conjunction with the first major retrospective on Rauschenberg’s career since the artist’s death in 2008 this book presents the complete set of 34 drawings with an introduction by curator Leah Dickerman and newly commissioned poetry from Kevin Young and Robin Coste Lewis each reflecting on a selection of drawings and their corresponding Cantos. 104 pp.; 44 illus.\u003c\/div\u003e","brand":"MUSEUM OF MODERN ART 700003","offers":[{"title":"Multi","offer_id":44170110075110,"sku":"900029-900029","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0623\/7962\/2630\/files\/900029_a_b2f627b2-428d-4c94-8128-9728c6186812.jpg?v=1704280115"},{"product_id":"kai-althoff-and-then-leave-me-to-the-common-swifts-hardcover","title":"Kai Althoff: and then leave me to the common swifts - Hardcover","description":"\u003cp\u003eEdited by Kai Althoff. With contributions by Rita Kersting, DovBer Naiditch, Yair Oelbaum, Constantin Rothkopf, Robert Storr, and Rein Wolfs. Interview by Laura Hoptman\n\u003c\/p\u003e\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eKai Althoff (German, born 1966) is one of the most consummate—and unpredictable—artists of his generation. A painter and a draftsman, he has experimented since the mid-1990s with combinations of unconventional mediums and exhibition formats to create all-encompassing environments that might include finely detailed drawings, collage, textiles, soft sculpture, paintings, writing, video, fragrance, and song.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003ePublished in conjunction with a major exhibition at The Museum of Modern Art, this publication presents Althoff's work in all mediums from throughout his twenty-five-year career. Created in close collaboration with the artist, this unconventional and lavishly produced book features both black-and-white illustrations and full-color tip-ins. Contributions by scholars, art professionals, and friends of the artist offer multiple perspectives on Althoff's iconographically rich work. 196 pp.; 205 illus.\u003c\/div\u003e","brand":"MUSEUM OF MODERN ART 700003","offers":[{"title":"Default Title","offer_id":44170110107878,"sku":"900018-900018","price":55.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0623\/7962\/2630\/files\/900018_a_c0a40075-4da5-454b-ac41-83d8c61cc7ff.jpg?v=1704280123"},{"product_id":"lincoln-kirstein-s-modern-hardcover","title":"Lincoln Kirstein’s Modern - Hardcover","description":"\u003cp\u003e\u003cstrong\u003eTo look inside this book, click \u003cspan style=\"text-decoration: underline;\"\u003e\u003ca href=\"https:\/\/www.moma.org\/d\/pdfs\/W1siZiIsIjIwMTkvMDcvMDkvN3Z1dDBxejB1dF9XZWJTYW1wbGVfS2lyc3RlaW5fY2F0YWxvZ3VlX0ZJTkFMLnBkZiJdXQ\/WebSample_Kirstein_catalogue_FINAL.pdf?sha=159c147c933257e8\"\u003ehere\u003c\/a\u003e\u003c\/span\u003e.\u003c\/strong\u003e\n\u003c\/p\u003e\u003cdiv\u003e \u003c\/div\u003e\nEdited by Samantha Friedman and Jodi Hauptman. With contributions by Samantha Friedman, Lynn Garafola, Michelle Greet, Michelle Harvey, Richard Meyer, and Kevin Moore\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eLincoln Kirstein (1907–1996) was a true polymath—writer, critic, curator, and impresario—and an indefatigable catalyst, whose contributions to American cultural endeavors in the 1930s and '40s helped shaped the lives of artists and institutions. Best known for his defining role with the New York City Ballet, which he co-founded with choreographer George Balanchine, Kirstein is also a crucial figure in the early history of The Museum of Modern Art. A champion of realism, photography, and performance, he organized numerous exhibitions, established the Museum's short-lived Dance Archives and its curatorial Dance and Theatre Design department, acquired a significant trove of Latin American art for MoMA's collection, and proposed an alternate vision of modernism—one that embraced figuration—to a museum known for its devotion to abstraction.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003ePublished in conjunction with an exhibition dedicated to Kirstein's expansive view of modern art, this volume explores his wide-ranging and overlapping professional and social networks in New York City and beyond. This richly illustrated book features paintings, drawings, sculptures, photographs, and costume and set designs by artists in Kirstein's ambit, including Antonio Berni, Paul Cadmus, Walker Evans, Raquel Forner, Jared French, Frances Benjamin Johnston, Gaston Lachaise, George Platt Lynes, Elie Nadelman, Ben Shahn, Honoré Sharrer, Pavel Tchelitchew, and Joaquín Torres-García. Also included are four scholarly essays investigating Kirstein's interdisciplinary pursuits, as well as excerpts from his own deeply insightful writings. 200 pp.; 205 illus.\u003c\/div\u003e","brand":"MUSEUM OF MODERN ART 700003","offers":[{"title":"Default Title","offer_id":44170110173414,"sku":"900082-900082","price":27.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0623\/7962\/2630\/files\/900082_a_ce7fec47-db96-4c7d-bc8b-a8eb7498bcef.jpg?v=1704232883"},{"product_id":"joaquin-torres-garcia-the-arcadian-modern-hardcover","title":"Joaquín Torres-García: The Arcadian Modern - Hardcover","description":"\u003cp\u003e\u003cstrong\u003eTo look inside this book, click \u003cspan style=\"text-decoration: underline;\"\u003e\u003ca href=\"https:\/\/www.moma.org\/d\/pdfs\/W1siZiIsIjIwMTgvMDYvMTMvMmppMDdtN2ZmNF9Nb01BX1RvcnJlc0dhcmNpYV9QUkVWSUVXLnBkZiJdXQ\/MoMA_TorresGarcia_PREVIEW.pdf?sha=a76bb61a2d3b04d1\"\u003ehere\u003c\/a\u003e\u003c\/span\u003e. \u003c\/strong\u003e\n\u003c\/p\u003e\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eEdited by Luis Pérez-Oramas. With contributions by Alexander Alberro, Sergio Chejfec, Estrella de Diego, and Geaninne Gutiérrez-Guimarães\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eJoaquín Torres-García is one of the most complex and emblematic modern masters of the first half of the twentieth century, whose work opened up transformational paths for modern art on both sides of the Atlantic. Drawn to both the avant-garde and the primitive, the schematic and the utopian, he participated in some of the most crucial intellectual and artistic discussions of the past century. His close involvement with several early modern and avant-garde movements, including Catalan Noucentisme, Cubism, Ultraism, Vibrationism, and Neo-Plasticism, make him an unparalleled figure in the history of modernism in the Americas.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003ePublished in conjunction with the first major, all-inclusive retrospective of the artist's work in the United States since the 1970s, this richly illustrated publication presents Torres-García's long and wide-ranging career, and includes drawings, paintings, objects, sculptures, and rare manuscripts. 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With contributions by Lucy Lippard and others\n\u003c\/p\u003e\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eIn the summer of 1970, The Museum of Modern Art in New York mounted the now legendary exhibition \u003cem\u003eInformation\u003c\/em\u003e, one of the first surveys of Conceptual art. Conceived by MoMA’s celebrated curator Kynaston McShine as an “international report” on contemporary trends, the show and attendant catalogue together assembled the work of more than 150 artists from 15 countries to explore the parameters and possibilities of the emerging art practices of the era. 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Lax. With contributions by Giampaolo Bianconi, Harry CH Choi, Vivian A. Crockett, Danielle Goldman, Elizabeth Gollnick, Adrian Heathfield, Ana Janevski, Martha Joseph, Thomas J. Lax, Victor “Viv” Liu, Jenny Harris, Sharon Hayes, Malik Gaines, Benjamin Piekut, Kristin Poor, Julia Robinson, and Gloria Sutton\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eIn the early 1960s, an assembly of choreographers, visual artists, composers, and filmmakers made use of a church in New York’s Greenwich Village to present performances that redefined the kinds of movement that could be understood as dance—performances that Village Voice critic Jill Johnston would declare the most exciting in a generation. The group was Judson Dance Theater, its name borrowed from Judson Memorial Church, the socially engaged Protestant congregation that hosted the dancers’ open workshops. 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Setting a precedent for what we call installation art today, his work has profoundly influenced contemporary artists and cultural discourse at large.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003ePublished to accompany Broodthaers's first retrospective in New York, this volume examines the artist's work across all mediums and includes new translations of many of his texts. Essays by the exhibition organizers, Christophe Cherix and Manuel J. 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View the entire series \u003cspan style=\"text-decoration: underline;\"\u003e\u003ca href=\"https:\/\/store.moma.org\/books\/featured\/moma-primary-documents-series\"\u003ehere\u003c\/a\u003e\u003c\/span\u003e.\u003c\/div\u003e","brand":"MUSEUM OF MODERN ART 700003","offers":[{"title":"Default Title","offer_id":44170110402790,"sku":"911-911","price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0623\/7962\/2630\/files\/911_a_e96e5f61-dc0a-4ef4-b31c-63b5ad4fcc83.jpg?v=1736807447"},{"product_id":"moma-ps1-a-history-hardcover","title":"MoMA PS1: A History - Hardcover","description":"\u003cp\u003e\u003cstrong\u003eWinner of the AIGA \u003cem\u003e50 Books | 50 Covers\u003c\/em\u003e 2020 competition\u003c\/strong\u003e\n\u003c\/p\u003e\u003cdiv\u003e \u003c\/div\u003e\nEdited by Klaus Biesenbach and Bettina Funcke. With contributions by Phil Aarons, Marina Abramovic, Sarah Arison, agnès b, Linda Blumberg, Janet Cardiff, Chris Dercon, Peter Eleey, Fred Fisher, Tony Guerrero, Larissa Harris, Alanna Heiss, Jonathan Lill, Glenn D. Lowry, Warren Niesluchowski, Carolee Schneemann, Oliver Shultz, James Turrell, Rebecca H. Quaytman, Jeff Weinstein, Martha Wilson, Andrea Zittel. Historical texts by Vito Acconci, Carl Andre, Rudy Burckhardt, Douglas Davis, Simone Forti, Tina Girouard, Philip Glass, Marcia Hafif, Jene Highstein, Nancy Holt, Patrick Ireland, Les Levine, Sol LeWitt, Richard Nonas, Lucio Pozzi, Charlemagne Palestine \u0026amp; Carol Parker, and Hannah Wilke\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eThis is the first publication on the history of MoMA PS1 and features in-depth interviews with its founder Alanna Heiss and key artists who were closely involved with the institution. The extensive illustrations include previously unpublished archival documentation of exhibitions, performances, and events at the alternative art space. In addition to contributions by contemporary artists, the book includes historical statements about PS1 from Vito Acconci, Carl Andre, Rudy Burckhardt, Douglas Davis, Simone Forti, Tina Girouard, Philip Glass, Marcia Hafif, Jene Highstein, Nancy Holt, Patrick Ireland, Les Levine, Sol LeWitt, Richard Nonas, Lucio Pozzi, Charlemagne Palestine and Carol Parker, and Hannah Wilke. 304 pp.; 300 illus.\u003c\/div\u003e","brand":"MUSEUM OF MODERN ART 700003","offers":[{"title":"Default Title","offer_id":44170110468326,"sku":"900069-900069","price":32.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0623\/7962\/2630\/files\/900069_a_d246a489-c616-4d01-afd5-ff2446ede96c.jpg?v=1704232894"},{"product_id":"louise-lawler-receptions-hardcover","title":"Louise Lawler: Receptions - Hardcover","description":"\u003cp\u003e\u003cstrong\u003eTo look inside this book, click \u003cspan style=\"text-decoration: underline;\"\u003e\u003ca href=\"https:\/\/www.moma.org\/d\/pdfs\/W1siZiIsIjIwMTkvMDcvMTAvMTVqNmM2bWU4OF9XZWJTYW1wbGVfTW9NQV9MYXdsZXJfZmluYWwucGRmIl1d\/WebSample_MoMA_Lawler_final.pdf?sha=8b13fdb4ac806911\"\u003ehere\u003c\/a\u003e\u003c\/span\u003e.\u003c\/strong\u003e\n\u003c\/p\u003e\u003cdiv\u003e \u003c\/div\u003e\nEdited by Roxana Marcoci. 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In our contemporary atmosphere of political theater, shocking wealth disparity, and commodity culture, the insight, resistance, and sly commentary of Lawler's work feels as poignant and corrective as it has ever been. 256 pp.; 258 illus.\u003c\/div\u003e","brand":"MUSEUM OF MODERN ART 700003","offers":[{"title":"Default Title","offer_id":44170110501094,"sku":"900023-900023","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0623\/7962\/2630\/files\/900023_a_f87cfb69-25ab-4187-a6c4-f4c394ddcf8c.jpg?v=1737655490"},{"product_id":"filming-robert-flahertys-louisiana-story-the-helen-van-dongen-diary-paperback","title":"Filming Robert Flaherty's Louisiana Story: The Helen van Dongen Diary - Paperback","description":"\u003cp\u003eEdited by Eva Orbanz. With contributions by Mary Lea Bandy, Hans Helmut Prinzler, Helen van Dongen, Richard Barsam, and Ronald S. Magliozzi\n\u003c\/p\u003e\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eThis book details the production of Robert Flaherty's most beautiful and most ambitious film, \u003cem\u003eLouisiana Story\u003c\/em\u003e. At its core are the production diaries of Helen van Dongen, associate producer and editor for the project and a pioneer among women filmmakers. Her informative notes, never published before, illuminate the problems of shooting the film on location in the bayou country of Louisiana. \u003cem\u003eLouisiana Story\u003c\/em\u003e had its premiere at The Museum of Modern Art in 1948. 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Situating \u003cem\u003eFigure 3\u003c\/em\u003e in the broader context of Sietsema's work of the past ten years, this far-ranging volume explores the artist's unique approach to looking as well as the relationships among his drawings, object-making, and film. 80 pp.; 55 illus.\u003c\/div\u003e","brand":"MUSEUM OF MODERN ART 700003","offers":[{"title":"Default Title","offer_id":44170110664934,"sku":"776-776","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0623\/7962\/2630\/files\/776_a_11788cfa-75e6-453f-82e1-dd44c3fed8fa.jpg?v=1704280129"},{"product_id":"robert-rauschenberg-hardcover","title":"Robert Rauschenberg - Hardcover","description":"\u003cp\u003eEdited by Leah Dickerman and Achim Borchardt-Hume. With contributions by Yve-Alain Bois, Andrianna Campbell, Hal Foster, Mark Godfrey, Hiroko Ikegami, Branden Joseph, Ed Krcma, Michelle Kuo, Pamela Lee, Emily Liebert, Richard Meyer, Helen Molesworth, Kate Nesin, Sarah Roberts, and Catherine Wood\n\u003c\/p\u003e\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003ePublished to accompany a major international retrospective that opened at the Tate Modern, London, in November 2016 before traveling to The Museum of Modern Art, New York, and The San Francisco Museum of Modern Art, \u003cem\u003eRobert Rauschenberg\u003c\/em\u003e offers a fresh perspective on the artist's six-decade-long career across an extraordinary range of mediums, including not only painting, assemblage, drawing, prints and photography, but also sound, video and performance. Each of the 16 short essays, by both eminent and new voices, casts a spotlight on a particular moment in Rauschenberg's career, in a volume that offers an integrated look at his work across disciplines. 392 pp.; 475 illus.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eAvailable in \u003cspan style=\"text-decoration: underline;\"\u003e\u003ca href=\"https:\/\/store.moma.org\/books\/exhibition-catalogues\/robert-rauschenberg---paperback\/900021-900021.html\"\u003epaperback\u003c\/a\u003e\u003c\/span\u003e. \u003c\/div\u003e","brand":"MUSEUM OF MODERN ART 700003","offers":[{"title":"Default Title","offer_id":44170110697702,"sku":"900020-900020","price":75.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0623\/7962\/2630\/files\/fbd3cf6b-7b5e-4b0d-b9ec-09a806965cdb.jpg?v=1737493637"},{"product_id":"rene-d-harnoncourt-and-the-art-of-installation-hardcover","title":"René d’Harnoncourt and the Art of Installation - Hardcover","description":"\u003cp\u003e\u003cstrong\u003eTo look inside this book, click \u003cspan style=\"text-decoration: underline;\"\u003e\u003ca href=\"https:\/\/www.moma.org\/d\/pdfs\/W1siZiIsIjIwMTkvMDcvMDkvOGwyMWJ3M3dxel9Nb01BX0RfSGFybm9uY291cnRfUFJFVklFVy5wZGYiXV0\/MoMA_D%27Harnoncourt_PREVIEW.pdf?sha=f4a2d7b1e26602cb\"\u003ehere\u003c\/a\u003e\u003c\/span\u003e. \u003c\/strong\u003e\n\u003c\/p\u003e\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eChosen by the \u003cem\u003eNew York Times\u003c\/em\u003e as one of the Best Art Books of 2018 \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eBy Michelle Elligott\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eRené d'Harnoncourt, the director of The Museum of Modern Art from 1949 to 1968, revolutionized the way art exhibitions are conceived and mounted. His genius for installation design and display, documented in elaborate preparatory drawings he created at each step of his process, guided a methodology that has informed how exhibitions are organized to this day. In \u003cem\u003eRené d'Harnoncourt and the Art of Installation\u003c\/em\u003e, Michelle Elligott examines d'Harnoncourt's life and work, delving deep into the Museum's archives to demonstrate his mastery of exhibition presentation, from his first curatorial effort—an exploration of Mexico' indigenous arts, which circulated throughout the United States in the early 1930s—to \u003cem\u003eThe Sculpture of Picasso\u003c\/em\u003e, his final, most elaborate installation at MoMA, in 1967. Through exhibition photographs and d'Harnoncourt's exquisite, rarely seen sketches, this book reveals a unique approach to exhibitions and the fascinating personality behind it. 176 pp.; 204 illus.\u003c\/div\u003e","brand":"MUSEUM OF MODERN ART 700003","offers":[{"title":"Default Title","offer_id":44170110730470,"sku":"900050-900050","price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0623\/7962\/2630\/files\/900050_a_d57c19f8-873c-4e03-be19-8aec32d456a4.jpg?v=1704232808"},{"product_id":"photography-at-moma-1840-to-1920-hardcover","title":"Photography at MoMA: 1840 to 1920 - Hardcover","description":"\u003cp\u003e\u003cstrong\u003eTo look inside this book, click \u003cspan style=\"text-decoration: underline;\"\u003e\u003ca href=\"https:\/\/www.moma.org\/d\/pdfs\/W1siZiIsIjIwMTkvMDcvMTAvNmc5aG9iNTAxbV9XZWJTYW1wbGVfUGhvdG9hdE1vTUEyMDE3LnBkZiJdXQ\/WebSample_PhotoatMoMA2017.pdf?sha=dfe3db186908dac6\"\u003ehere\u003c\/a\u003e\u003c\/span\u003e.\u003c\/strong\u003e\n\u003c\/p\u003e\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eEdited by Quentin Bajac, Lucy Gallun, Roxana Marcoci, and Sarah Hermanson Meister. With contributions by Geoffrey Batchen, Michel Frizot, Shelley Rice, and Bonnie Yochelson\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eSince the invention of photography, legions of practitioners have mined its artistic and practical potential, paying particular attention to its novel depiction of space and time, its utility as a tool for documentation and exploration, and its distinctive take on modernism and modernity. This volume explores the ways in which this new medium—photography—and this new apparatus—the camera—evolved during its first century, from the masterworks of William Henry Fox Talbot, one of photography’s inventors, to the portraits of Julia Margaret Cameron, Nadar, and Gertrude Käsebier; the motion studies of Eadweard Muybridge; surveys of landscape and architecture by American and European practitioners; the documentary images of Carleton Watkins, Eugène Atget, and Lewis Hine; and the modernist works of Karl Blossfeldt, Edward Steichen, and Paul Strand.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eThis publication provides a wide-ranging look at a medium so thoroughly and instantly modern that it is represented in MoMA’s collection by works that predate any of the Museum’s paintings or sculptures by a full forty years. And now, more than 175 years later, the modern spirit of early photography remains intact, and \u003cem\u003ePhotography at MoMA: 1840 to 1920\u003c\/em\u003e provides a record of its contradictions, aspirations, and achievements. 416 pp.; 390 illus.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eThis is the first volume in the three-volume Photography at MoMA series, which draws upon the exceptional depth of the Museum's collection to tell a new history of photography. View the other titles in the series: \u003cem\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003ca href=\"https:\/\/store.moma.org\/books\/moma-publications\/photography-at-moma-1920-to-1960\/900013-900013.html\"\u003ePhotography at MoMA: 1920 to 1960\u003c\/a\u003e\u003c\/span\u003e\u003c\/em\u003e and \u003cem\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003ca href=\"https:\/\/store.moma.org\/books\/moma-publications\/photography-at-moma-1960-to-now\/969-969.html\"\u003ePhotography at MoMA: 1960 to Now\u003c\/a\u003e.\u003c\/span\u003e\u003c\/em\u003e\n\u003c\/div\u003e","brand":"MUSEUM OF MODERN ART 700003","offers":[{"title":"Default Title","offer_id":44170111680742,"sku":"1045-900028","price":75.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0623\/7962\/2630\/files\/b073a227-0e27-4828-8521-71749b6e24a1_3072.jpg?v=1736803989"},{"product_id":"people-hardcover","title":"People - Hardcover","description":"\u003cp\u003eBy Philip Yenawine\n\u003c\/p\u003e\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eThis is one of a series of books on modern art created to help very young people learn the basic vocabulary used by artists, a sort of ABC of art. Parents and teachers play a key role in this learning process, encouraging careful, thoughtful looking. In \u003cem\u003ePeople\u003c\/em\u003e, author Philip Yenawine, longtime Director of Education at The Museum of Modern Art, provides a gallery of portraits and group scenes of people old and young, realistic and fanciful. It includes reproductions of works by such artists as Paul Cezanne, Ben Shahn, Oskar Kokoschka, and Diego Rivera.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eThe other books in the series are \u003cem\u003eLines\u003c\/em\u003e, \u003cem\u003eColors\u003c\/em\u003e, \u003cem\u003eStories\u003c\/em\u003e, \u003cem\u003eShapes\u003c\/em\u003e, and \u003cem\u003ePlaces\u003c\/em\u003e. Each volume in the series comes with an illustrated summary of artworks. 24 pp.; 40 illus.\u003c\/div\u003e","brand":"MUSEUM OF MODERN ART 700003","offers":[{"title":"Default Title","offer_id":44170111975654,"sku":"174-174","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0623\/7962\/2630\/files\/9c5dc63d-040a-4b46-9e4d-e48b8ff9dfab.jpg?v=1752607420"},{"product_id":"quay-brothers-on-deciphering-the-pharmacists-prescription-for-lip-reading-puppets-paperback","title":"Quay Brothers: On Deciphering the Pharmacist's Prescription for Lip-Reading Puppets - Paperback","description":"\u003cp\u003eBy Ron Magliozzi and Edwin Carels, With contributions by the Quay Brothers\n\u003c\/p\u003e\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eThe Quay Brothers are internationally renowned moving-image artists and designers who, for over thirty years, have been at the vanguard of stop-motion puppet animation and live-action movie making, working in the Eastern European tradition of filmmakers such as Walerian Borowczyk, Jan Švankmajer, and Yuri Norstein and championing a design aesthetic influenced by the graphic surrealism of Polish poster artists of the 1950s and 1960s. They have produced more than forty-five moving-image works since 1971, including feature films, music videos, dance films, documentaries, and signature personal works that fall outside these genres, and designed sets and projections for opera, theater, and concert performances.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eThis richly illustrated publication, published to accompany an exhibition at The Museum of Modern Art, presents the Quay Brothers' full oeuvre, comprising previously unseen moving-image works and a little-known body of works on paper, including graphic design, drawings, typography, and notebooks for films. 64 pp.; 60 illus.\u003c\/div\u003e","brand":"MUSEUM OF MODERN ART 700003","offers":[{"title":"Default Title","offer_id":44170112008422,"sku":"843-843","price":24.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0623\/7962\/2630\/files\/843_a_ef5df157-99b2-468c-8933-7a33cb2e6de4.jpg?v=1738175451"},{"product_id":"robert-gober-the-heart-is-not-a-metaphor-hardcover","title":"Robert Gober: The Heart Is Not a Metaphor - Hardcover","description":"\u003cp\u003e\u003cstrong\u003eTo look inside this book, click \u003cspan style=\"text-decoration: underline;\"\u003e\u003ca href=\"https:\/\/www.moma.org\/momaorg\/shared\/pdfs\/docs\/publication_pdf\/3206\/MoMA_Gober_PREVIEW.pdf?1414421650\"\u003ehere\u003c\/a\u003e\u003c\/span\u003e. \u003c\/strong\u003e\n\u003c\/p\u003e\u003cdiv\u003e \u003c\/div\u003e\nEdited by Ann Temkin. With contributions by Hilton Als, Claudia Carson, Robert Gober, Paulina Pobocha, and Christian Schiedermann\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003ePublished in conjunction with the first large-scale survey exhibition of Robert Gober's art in the United States and prepared in close collaboration with him, \u003cem\u003eRobert Gober: The Heart Is Not a Metaphor\u003c\/em\u003e traces the development of his work, highlighting themes and motifs to which he has returned throughout the decades. The book features an essay by Hilton Als—a text both wide-ranging and personal—and an in-depth narrative of Gober's life. The rich selection of images illustrates every phase of the artist's career, and includes previously unpublished photographs from his own archive. 272 pp.; 264 illus.\u003c\/div\u003e","brand":"MUSEUM OF MODERN ART 700003","offers":[{"title":"Default Title","offer_id":44170112303334,"sku":"946-946","price":22.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0623\/7962\/2630\/files\/96c187b3-8547-4747-a3da-ab8e7bbfa4e7_3072_39e6b29a-e705-49f6-b914-37b792f9d6df.jpg?v=1736804001"},{"product_id":"robert-rauschenberg-paperback","title":"Robert Rauschenberg - Paperback","description":"\u003cp\u003eEdited by Leah Dickerman and Achim Borchardt-Hume. With contributions byYve-Alain Bois, Andrianna Campbell, Hal Foster, Mark Godfrey, Hiroko Ikegami, Branden Joseph, Ed Krcma, Michelle Kuo, Pamela Lee, Emily Liebert, Richard Meyer, Helen Molesworth, Kate Nesin, Sarah Roberts, and Catherine Wood\n\u003c\/p\u003e\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003ePublished to accompany a major international retrospective that opened at the Tate Modern, London, in November 2016 before traveling to The Museum of Modern Art, New York, and The San Francisco Museum of Modern Art, Robert Rauschenberg offers a fresh perspective on the artist's six-decade-long career across an extraordinary range of mediums, including not only painting, assemblage, drawing, prints and photography, but also sound, video and performance. Each of the 16 short essays, by both eminent and new voices, casts a spotlight on a particular moment in Rauschenberg's career, in a volume that offers an integrated look at his work across disciplines. 392 pp.; 375 illus.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eAvailable in \u003cspan style=\"text-decoration: underline;\"\u003e\u003ca href=\"https:\/\/store.moma.org\/books\/exhibition-catalogues\/robert-rauschenberg---hardcover\/900020-900020.html\"\u003ehardcover\u003c\/a\u003e\u003c\/span\u003e.\u003c\/div\u003e","brand":"MUSEUM OF MODERN ART 700003","offers":[{"title":"Default Title","offer_id":44170112336102,"sku":"900021-900021","price":55.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0623\/7962\/2630\/files\/450c6ac9-4e04-4eee-8c6a-002d8cc755d4.jpg?v=1737493634"},{"product_id":"robert-venturis-complexity-and-contradiction-at-fifty-boxed-set","title":"Robert Venturi's Complexity and Contradiction at Fifty - Boxed Set","description":"\u003cp\u003e\u003cstrong\u003eTo look inside this book, click \u003cspan style=\"text-decoration: underline;\"\u003e\u003ca href=\"https:\/\/www.moma.org\/d\/pdfs\/W1siZiIsIjIwMTkvMDcvMDEvOHI4MnI1aW1qcV9XZWJTYW1wbGVfQ29tcGxleGl0eV9Wb2xfMWFuZDIucGRmIl1d\/WebSample_Complexity_Vol_1and2.pdf?sha=de7bd6b30f97ab4e\"\u003ehere\u003c\/a\u003e\u003c\/span\u003e.\u003c\/strong\u003e\n\u003c\/p\u003e\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eEdited by Martino Stierli and David Brownlee. With contributions by Jean-Louis Cohen, Lee Ann Custer, Peter Fröhlicher, Diane Harris, Andrew Leach, Mary McLeod, Stanislaus von Moos, Joan Ockman, Emmanuel Petit, Martino Stierli, Sam Jacob, Stephen Kieran and James Timberlake, Michael Meredith, Pier Paolo Tamburelli, Deborah Berke. Interviews with Rem Koolhaas, and Stanley Tigerman\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eFirst published in 1966, Robert Venturi's \u003cem\u003eComplexity and Contradiction in Architecture\u003c\/em\u003e is widely considered a foundational text of postmodernism and has become an essential document in architectural theory and criticism. This two-volume boxed set pairs a facsimile of the original edition with a compendium of new scholarship on and around Venturi's seminal treatise. Essays by leading architecture historians and critics—a number of which were presented at a conference co-organized by The Museum of Modern Art to celebrate the fiftieth anniversary of \u003cem\u003eComplexity and Contradictio\u003c\/em\u003en in 2016—address issues such as the circumstances of the book's publication, its prose style, and its relationship to Venturi's own built work, or reflect on broader themes, among them the politics of the architectural profession, the idea of complexity in the mid-1960s, and the connection between architecture and modern art. Additional short commentaries by distinguished contemporary practitioners likewise attest to the book's enduring influence. Together, these two volumes expand the horizons of—and introduce a new generation to—Venturi's \"gentle manifesto.\" 296 pp.; 450 illus.\u003c\/div\u003e","brand":"MUSEUM OF MODERN ART 700003","offers":[{"title":"Default Title","offer_id":44170112401638,"sku":"900062-900062","price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0623\/7962\/2630\/files\/900062_a_e1473de5-1d98-4ff0-af3d-9f738aa25fd7.jpg?v=1704232885"}],"url":"https:\/\/store.moma.org\/en-sa\/collections\/30-off-books.oembed","provider":"MoMA Design Store","version":"1.0","type":"link"}